'http://notesfromnancy.blogspot.com
Blogarama
As Allison (Salli Richardson-Whitfield) and the rest of the town discovered last week, a spaceship landed in the middle of an open field after sending out signals for weeks. The problem was trying to figure out whether they were from a friend or a foe. Only Henry (Joe Morton) deciphered the clues - a flag appeared on the bottom. American.
Henry tells Jack (Colin Ferguson) he is responsible for building the thing. Twenty years ago, to be precise. A person tumbles out, and there's a doozy of a shocker - it's Kim Anderson! This would be the woman Henry lost a while back. One problem, she died. Which Zane (Niall Matter) is able to confirm after a check of the records.
I cannot be entirely sure whether this is the same actress who created the role. For some strange reason, an Internet search yields nothing on the topic. However, I will say this. Whoever claims responsibility for this script is to be commended. A character returns, but the storyline is true to her original death. The premise has Kim 2.0 as a computer who has memories of the original project Henry and Kim worked on. She's not a ghost. Or time traveler, for that matter.
Joe Morton shines as he attempts to figure out if his long lost love is right there in front of him. The scientist knows better, but the man struggles with all too human emotions. He's not the only one.
The show stealer this week? Fargo (Neil Grayston). He is only one of many who has an item used to make the spaceship landing pad. The townspeople teamed up to bring in much needed items ("If You Build It). A converter is swapped by accident, so Fargo snatched it back! Which wouldn't have been a problem except the guy dies. Oops. Grayston's panic as he realizes he could be in big trouble is highly amusing. So is the slap Jo (Erica Cerra) gives him to make him focus. The guilty look he displays at the ultimate Global Dynamics scene is even better.
Only in a science fiction television series would there be a bathing of cast members in a green light. Why is a little tricky to explain. It has to do with a computer virus which attacks anyone in direct contact. Disaster puts Zane in grave danger- you'll have to watch to see what happens.
A nice moment occurs as a street sign is highlighted to reveal its name of Archimedes. This man is credited with tons of discoveries, the most notable being his contributions to the field of mathematics. More than likely, his work is used for the data transfer out of Kim 2.0's memory bank into a research file. She also uses it to demonstrate how long the process would take if she wrote everything out.
Now, I have to wonder if the Artifact is planning to come back into play. This ran through storylines from the past two seasons as highly coveted. Beverly Barlowe (Deborah Farentino) vanished from Eureka in the quest to keep it out of the wrong hands ("A Night at Global Dynamics"). While I am not eager to see her character return, Kim Anderson has me at least considering the continuation of the storyline.
Tess (Jaime Ray Newman) and Jack hold hands during a meteor shower. This seems a bit odd for them to be a couple. Newman is decent, and I have to admit liking her onscreen persona more than Frances Fisher as Eva Thorne. Still. The purpose of her being in town is something of a mystery, and any purpose remains elusive. She should leave before too long, and give viewers a much needed break for a bit.
Jo and Zane are turning into a power couple, as this week clearly demonstrates. These two are a good team. The bad boy versus the strong willed woman. Both are having their edges softened, which is hardly a bad thing.
What happened to Zoe (Jordan Hinson) and Vincent (Chris Gauthier)? They give value to the show by bringing a balance to the work going on at the lab. Gauthier is especially fun as he throws many a zinger at the other cast members.
For a show which has become extremely popular, these last few weeks are duller by comparison with the first two episodes this time around. Only about a month of shows are left before the season comes to a close. The best just might be on their way.
Found as well on Blogcritics.
Tuesday, August 18, 2009
Thursday, August 13, 2009
TV Review Warehouse 13 "Burnout"
'http://notesfromnancy.blogspot.com
Blogarama
An artifact and an agent. Basically, that's the latest episode of Warehouse 13 in a nutshell. Of course, this does not describe everything which takes place. Then again, perhaps it does.
Pete (Eddie McClintock) and Myka (Joanne Kelly) are sent to a police station this time in hopes of finding out what exactly happens to cause an explosion. While they can safely say electricity is involved, the mystery depends upon the discovery of a Tesla gun. One of their victims is a warehouse agent! Or was, anyway. It will be up to Artie (Saul Rubinek) for purposes of identification.
Good thing Claudia (Allison Scagliotti-Smith) is around. She is able to tweak a machine for reconstructive methods. The idea is a clever one - put a bunch of pictures together in a flat layout and combine. Think of it this way. Remember those magazine photos where each tiny piece helps to make one big picture? Same principle. It just goes a step further and gets identical images to cancel each other out. In other words, two photos with a right hand are practically laid on top of one another so only one appears in the final composite.
Even more compelling than the mystery itself is a woman named Rebecca. Not only does she have a relationship with the dead agent, she has a secret of her own. If Roberta Maxwell looks a bit familiar, you might recognize her from Dead Man Walking, where she played the mother of Sean Penn's character.
Kelly and Maxwell are two women whose onscreen personas are struggling with a loss. The difference is how long each has had to deal with it. For Kelly, the Myka Bering persona sees a former partner die as a result of a mission gone wrong. Is Myka responsible? Maybe. Although, this has not yet been fully talked about. For someone with a take charge personality and handling things by the book, the sight of Kelly staying put and leaving Myka in a state of helplessness is more than a little disturbing. Maxwell takes on the role of a person who has been around long enough to take whatever comes her way in stride. Could Rebecca return down the road? More than likely, although not necessarily in person.
Poor Eddie McClintock! Not only does he get thrown through a truck while trying to snatch an artifact ("Elements"), he gets hurt again this week with an artifact attached to his body. Being the lead role, the chance of him not lasting through the season is a little remote. However, anything can go on short of death. I will give him this, the transformation into an evil entity isn't bad. The scariness factor is there without any viewer having to hide under a blanket.
Half of the premiere season is over, with a handful to go before the finale. The stories are solid, usually. Guest stars often help in drawing viewers to this science fiction quirky drama. It shouldn't be long before a well known face shows up again. Rumors are more from the scifi world are due for an appearance. Who? watch and find out!
Can be found on Blogcritics.
Blogarama
An artifact and an agent. Basically, that's the latest episode of Warehouse 13 in a nutshell. Of course, this does not describe everything which takes place. Then again, perhaps it does.
Pete (Eddie McClintock) and Myka (Joanne Kelly) are sent to a police station this time in hopes of finding out what exactly happens to cause an explosion. While they can safely say electricity is involved, the mystery depends upon the discovery of a Tesla gun. One of their victims is a warehouse agent! Or was, anyway. It will be up to Artie (Saul Rubinek) for purposes of identification.
Good thing Claudia (Allison Scagliotti-Smith) is around. She is able to tweak a machine for reconstructive methods. The idea is a clever one - put a bunch of pictures together in a flat layout and combine. Think of it this way. Remember those magazine photos where each tiny piece helps to make one big picture? Same principle. It just goes a step further and gets identical images to cancel each other out. In other words, two photos with a right hand are practically laid on top of one another so only one appears in the final composite.
Even more compelling than the mystery itself is a woman named Rebecca. Not only does she have a relationship with the dead agent, she has a secret of her own. If Roberta Maxwell looks a bit familiar, you might recognize her from Dead Man Walking, where she played the mother of Sean Penn's character.
Kelly and Maxwell are two women whose onscreen personas are struggling with a loss. The difference is how long each has had to deal with it. For Kelly, the Myka Bering persona sees a former partner die as a result of a mission gone wrong. Is Myka responsible? Maybe. Although, this has not yet been fully talked about. For someone with a take charge personality and handling things by the book, the sight of Kelly staying put and leaving Myka in a state of helplessness is more than a little disturbing. Maxwell takes on the role of a person who has been around long enough to take whatever comes her way in stride. Could Rebecca return down the road? More than likely, although not necessarily in person.
Poor Eddie McClintock! Not only does he get thrown through a truck while trying to snatch an artifact ("Elements"), he gets hurt again this week with an artifact attached to his body. Being the lead role, the chance of him not lasting through the season is a little remote. However, anything can go on short of death. I will give him this, the transformation into an evil entity isn't bad. The scariness factor is there without any viewer having to hide under a blanket.
Half of the premiere season is over, with a handful to go before the finale. The stories are solid, usually. Guest stars often help in drawing viewers to this science fiction quirky drama. It shouldn't be long before a well known face shows up again. Rumors are more from the scifi world are due for an appearance. Who? watch and find out!
Can be found on Blogcritics.
TV Review Eureka "If You Build It"
'http://notesfromnancy.blogspot.com
Blogarama
Ships and smart cars and zombie teens oh my! Amazingly, all three of these are in the same episode of Eureka. Leave it to the brains to make cars which practically drive themselves to various destinations without any effort on the part of the owner. How? By means of computer programmed streets. Think of cars which have the ability to park with the touch of a few buttons. It already exists in some cars on the market. Add in voice command and hands free steering and you get the idea. Sort of. The visual image is easier than any written description. Go watch.
Jack Carter (Colin Ferguson), the town Sheriff, is hardly comforted by the newfangled vehicles. Zoe (Jordan Hinson), his daughter, is behind the wheel. She's a sensible young woman who still goes through her share of teenage troubles. This is mild compared to the sudden rash of stuff stolen suddenly. A cute moment takes place since Jack's desk chair is among the missing. He notices, but not before he falls to the floor. Investigation is required.
The set designer should be pleased with the efforts of crew to turn a field into a towering junkyard. Large metal piles give historians a gleeful look into modern day culture. Even the kitchen sink! How perfect. Each stack forms a small mass, and they are laid out nicely in a pattern. Could they be waiting for something?
Salli Richardson Whitfield does a smart turn having to deal with the possibility of danger ahead. Allison, her character, takes her job seriously. There must be preparation for an attack. Throw in raging hormones via pregnancy, and nerves are bound to fray. Jamie Ray Newman, or Tess Fontana, as viewers are well aware, plays her scientist role with passion. A chance like no other could be looming, so why in the world would a gun be raised? Better an outstretched hand. General Mansfield has given orders. He doesn't appear onscreen often, fortunately. Barclay Hope is a decent actor, but he works better on an occasional basis. Loaded weapons are just in case.
The drama builds while townspeople wait on the whatever. I won't ruin the surprise, but it's where the thing came from, rather than what it actually is. Henry (Joe Morton) steps up just in time - the absolute last minute. My favorite part is the downward flop. You'll see it when you watch.
Fargo (Neil Grayston) and Larry (Christopher Jacot) provide the comic relief. The car with more than a few quirks only serves as the catalyst for their ongoing feud of hatred. It takes Jo (Erica Cerra) to figure out the car is only a metaphor in regards to Fargo's relationship issues. He's a nice guy, but useless when it comes to being around women. Too bad. A sly reference to Knight Rider pops up in the form of Tabitha, the talking car who is more than a bit of trouble. A certain trunk scene is laugh out loud funny. Even better is the line "What goes on in the trunk, stays in the trunk". Jacot and Grayston play off one another with perfect precision.
Zane's back! Niall Matter delivers the snark, but also has a great range of emotion. He is completely believable when he shatters the misconceptions of Jack in regards to the town trouble. With Zane around, Tess and her mania are balanced out. Perhaps she can go on a hiatus before too long? For someone who is only supposed to be a recurring character, Newman has been consistently in each episode since her first appearance in "Insane in the P-Brane". Consider who she replaced. Frances Fisher and Ed Quinn. Those two were much stronger.
Half the series is left before the season finale on Sept. 11. now that what's coming has pretty much arrived, the storyline should probably turn to why. Rumor has it two characters from the previous two seasons are scheduled for a return. While it could be anyone, more than likely these won't be unknown persons.
Stay tuned!
also published on Blogcritics.
Blogarama
Ships and smart cars and zombie teens oh my! Amazingly, all three of these are in the same episode of Eureka. Leave it to the brains to make cars which practically drive themselves to various destinations without any effort on the part of the owner. How? By means of computer programmed streets. Think of cars which have the ability to park with the touch of a few buttons. It already exists in some cars on the market. Add in voice command and hands free steering and you get the idea. Sort of. The visual image is easier than any written description. Go watch.
Jack Carter (Colin Ferguson), the town Sheriff, is hardly comforted by the newfangled vehicles. Zoe (Jordan Hinson), his daughter, is behind the wheel. She's a sensible young woman who still goes through her share of teenage troubles. This is mild compared to the sudden rash of stuff stolen suddenly. A cute moment takes place since Jack's desk chair is among the missing. He notices, but not before he falls to the floor. Investigation is required.
The set designer should be pleased with the efforts of crew to turn a field into a towering junkyard. Large metal piles give historians a gleeful look into modern day culture. Even the kitchen sink! How perfect. Each stack forms a small mass, and they are laid out nicely in a pattern. Could they be waiting for something?
Salli Richardson Whitfield does a smart turn having to deal with the possibility of danger ahead. Allison, her character, takes her job seriously. There must be preparation for an attack. Throw in raging hormones via pregnancy, and nerves are bound to fray. Jamie Ray Newman, or Tess Fontana, as viewers are well aware, plays her scientist role with passion. A chance like no other could be looming, so why in the world would a gun be raised? Better an outstretched hand. General Mansfield has given orders. He doesn't appear onscreen often, fortunately. Barclay Hope is a decent actor, but he works better on an occasional basis. Loaded weapons are just in case.
The drama builds while townspeople wait on the whatever. I won't ruin the surprise, but it's where the thing came from, rather than what it actually is. Henry (Joe Morton) steps up just in time - the absolute last minute. My favorite part is the downward flop. You'll see it when you watch.
Fargo (Neil Grayston) and Larry (Christopher Jacot) provide the comic relief. The car with more than a few quirks only serves as the catalyst for their ongoing feud of hatred. It takes Jo (Erica Cerra) to figure out the car is only a metaphor in regards to Fargo's relationship issues. He's a nice guy, but useless when it comes to being around women. Too bad. A sly reference to Knight Rider pops up in the form of Tabitha, the talking car who is more than a bit of trouble. A certain trunk scene is laugh out loud funny. Even better is the line "What goes on in the trunk, stays in the trunk". Jacot and Grayston play off one another with perfect precision.
Zane's back! Niall Matter delivers the snark, but also has a great range of emotion. He is completely believable when he shatters the misconceptions of Jack in regards to the town trouble. With Zane around, Tess and her mania are balanced out. Perhaps she can go on a hiatus before too long? For someone who is only supposed to be a recurring character, Newman has been consistently in each episode since her first appearance in "Insane in the P-Brane". Consider who she replaced. Frances Fisher and Ed Quinn. Those two were much stronger.
Half the series is left before the season finale on Sept. 11. now that what's coming has pretty much arrived, the storyline should probably turn to why. Rumor has it two characters from the previous two seasons are scheduled for a return. While it could be anyone, more than likely these won't be unknown persons.
Stay tuned!
also published on Blogcritics.
Thursday, August 06, 2009
Book Review Oishinbo A la Carte Fish Sushi & Sashimi by Tetsu Kariya
'http://notesfromnancy.blogspot.com
Blogarama
Oishinbo A la Carte Fish Sushi & Sashimi is another manga story collection by Tetsu Kariya with Art by Akira Hanasaki. It continues the story of the hunt for the Ultimate Menu. Yamaoka Shiro may not be the hardest worker at the Tozai News, but he has an impeccable palate when it comes to food. Thus, he is given the assignment of finding the best in Japanese culture to be part of a celebration for the paper's 100th anniversary.
Easy enough, right? Well, no. A rival newspaper is in competition to serve up its own version called the Supreme Menu. Kaibara Yuzan, Shiro's father, is leading the other search. Since father and son don't get along anyway, the constant contact with one another does not exactly help matters. Yuzan does not appreciate just how fine a taste his son has. Worse, he has nothing but what seems like contempt for his offspring.
There is, perhaps, one small silver lining to the conflict. As much as Shiro might resent the condescension, he is generally pushed to greater heights. Most of the time. After reading this, I think readers will understand why Shiro is angry on a regular basis. He has people who are too quick to state out loud just how worthless they believe he is. Very rarely is there a word of praise.
Fish is the theme this time. For example, which flounder makes the best sashimi? There has been a long standing school of thought to favor the left handed flounder. Whether it not it holds up will be for the reader to discover. Salmon turns out to be a serious topic of discussion when both sides have to prepare it in an official contest. Shinko Kohada proves problematic as Shiro is challenged to prepare it in a way other than sushi.
Relationships are more closely explored in this volume. Shiro and Kurita Yuko, the other Tozai News employee assigned to the Ultimate Menu preparations, would hookup just fine if left to their own devices. One of their coworkers uses a flower illustration in an attempt to make them more of a couple. It backfires. This won't surprise any regular fan of this series.
Despite the intended focus to be Shiro and his Menu hunt, a stronger portrait is painted this time of women. I found them particularly disturbing. Why would it matter what a guy does in his spare time if he is not actively dating someone? I get the impression these aggressive females have never heard the term stalking. Even worse is the fight between Shiro and Yuko after a misunderstanding.Two people working on the same assignment should be able to go on separate tasks once in a while without the other person getting upset.
A lesson on how to prepare grilled salmon skin is also included.
Previously published on Blogcritics.
Blogarama
Oishinbo A la Carte Fish Sushi & Sashimi is another manga story collection by Tetsu Kariya with Art by Akira Hanasaki. It continues the story of the hunt for the Ultimate Menu. Yamaoka Shiro may not be the hardest worker at the Tozai News, but he has an impeccable palate when it comes to food. Thus, he is given the assignment of finding the best in Japanese culture to be part of a celebration for the paper's 100th anniversary.
Easy enough, right? Well, no. A rival newspaper is in competition to serve up its own version called the Supreme Menu. Kaibara Yuzan, Shiro's father, is leading the other search. Since father and son don't get along anyway, the constant contact with one another does not exactly help matters. Yuzan does not appreciate just how fine a taste his son has. Worse, he has nothing but what seems like contempt for his offspring.
There is, perhaps, one small silver lining to the conflict. As much as Shiro might resent the condescension, he is generally pushed to greater heights. Most of the time. After reading this, I think readers will understand why Shiro is angry on a regular basis. He has people who are too quick to state out loud just how worthless they believe he is. Very rarely is there a word of praise.
Fish is the theme this time. For example, which flounder makes the best sashimi? There has been a long standing school of thought to favor the left handed flounder. Whether it not it holds up will be for the reader to discover. Salmon turns out to be a serious topic of discussion when both sides have to prepare it in an official contest. Shinko Kohada proves problematic as Shiro is challenged to prepare it in a way other than sushi.
Relationships are more closely explored in this volume. Shiro and Kurita Yuko, the other Tozai News employee assigned to the Ultimate Menu preparations, would hookup just fine if left to their own devices. One of their coworkers uses a flower illustration in an attempt to make them more of a couple. It backfires. This won't surprise any regular fan of this series.
Despite the intended focus to be Shiro and his Menu hunt, a stronger portrait is painted this time of women. I found them particularly disturbing. Why would it matter what a guy does in his spare time if he is not actively dating someone? I get the impression these aggressive females have never heard the term stalking. Even worse is the fight between Shiro and Yuko after a misunderstanding.Two people working on the same assignment should be able to go on separate tasks once in a while without the other person getting upset.
A lesson on how to prepare grilled salmon skin is also included.
Previously published on Blogcritics.
TV Review Warehouse 13 "Elements"
'http://notesfromnancy.blogspot.com
Blogarama
Items stolen from an auction is perfectly reasonable. After all, they would be sold for a pretty good amount of money. Artie Nielsen (Saul Rubinek) soon realizes there is an unusual history attached. Send in the retrieval team! For Mkya Bering (Joanne Kelly) and Pete Lattimer (Eddie McClintock), the task is made a little easier by a tip about two men who were high bidders for the final piece in a collection. Gilbert Radburn (James Naughton) is one potential suspect, but the more interesting is Jeff Weaver (Joe Flanigan Stargate Atlantis)
Why? Artie knew Weaver's father once. If the son is anything like him, our intrepid investigators should watch their backs with everything they've got.
This week is another one of those with a well known guest star so audiences will be drawn in. Does it work? The fact Flanigan was the lead role of a science fiction television series a while back helps somewhat. The fact of SG Atlantis having its series finale already has more to do with the story coming to a close than acting strength. So far, two actors connected to a scifi show have been part of Warehouse 13. One Ticia Helfer and Flanigan. They are from two different series, obviously. However, the hope is that fans will tune in even more to see a favorite celebrity in action.
The setup, although compelling, is a bit problematic. Chances are any viewer with common sense can narrow it down to one of the two men listed above. Equal are the odds of Naughton or Flanigan taking the role of villain. Who the culprit turns out to be is a surprise which is nicely laid out plot wise. I have to hand it to the writers for picking such a simple premise of using four elements to work as one. Each gives a unique power to the person who has them all. The special effects when they do is particularly nice.
Nielsen, though, has a bigger problem than whether or not his two field operatives bring back the artifact in question. He knows them well enough to realize they are fully equipped to do so.
Claudia (Allison Scagliotti-Smith) once kidnapped Nielsen for her own purposes ("Claudia"). The security breach is cause for concern. Worse yet, the woman has a brother,Joshua, a brilliant researcher who is now without a clue as to his next steps. Since the choices are limited as regards to safety, Artie finds him a job in Switzerland. This might be the last of Tyler Hynes, but this is also scifi. Anything can happen down the road.
Perhaps the character to watch this week is Leena (Genelle Williams), the psychic who runs the bed and breakfast ("Pilot"). She is quick to notice other people's emotions and quicker to understand what those mean. Williams might not have the same instant recognition the others have, but her appearances are always worth the wait. It is going to be interesting to see what her backstory is.
Much better job on the credits this time! For once, the top three characters have their pictures out beside the names of the actors portraying them. Hynes was left off the guest star list completely. Whoops! He appears in two episodes back to back, so it's not as if viewers would not recognize him. Could it have been left off on purpose, since the writers planned his exit well in advance of the character exiting? Possibly, but I don't agree with the reasoning if so.
Scagliotti-Smith has shown she has the acting chops to be an integral part of this cast. Claudia is a sassy genius who provides a stark contrast from the easygoing Pete and straightlaced Myka. She lives by the use of street smarts, which should prove very interesting to the Warehouse workings.
On Blogcritics.
Blogarama
Items stolen from an auction is perfectly reasonable. After all, they would be sold for a pretty good amount of money. Artie Nielsen (Saul Rubinek) soon realizes there is an unusual history attached. Send in the retrieval team! For Mkya Bering (Joanne Kelly) and Pete Lattimer (Eddie McClintock), the task is made a little easier by a tip about two men who were high bidders for the final piece in a collection. Gilbert Radburn (James Naughton) is one potential suspect, but the more interesting is Jeff Weaver (Joe Flanigan Stargate Atlantis)
Why? Artie knew Weaver's father once. If the son is anything like him, our intrepid investigators should watch their backs with everything they've got.
This week is another one of those with a well known guest star so audiences will be drawn in. Does it work? The fact Flanigan was the lead role of a science fiction television series a while back helps somewhat. The fact of SG Atlantis having its series finale already has more to do with the story coming to a close than acting strength. So far, two actors connected to a scifi show have been part of Warehouse 13. One Ticia Helfer and Flanigan. They are from two different series, obviously. However, the hope is that fans will tune in even more to see a favorite celebrity in action.
The setup, although compelling, is a bit problematic. Chances are any viewer with common sense can narrow it down to one of the two men listed above. Equal are the odds of Naughton or Flanigan taking the role of villain. Who the culprit turns out to be is a surprise which is nicely laid out plot wise. I have to hand it to the writers for picking such a simple premise of using four elements to work as one. Each gives a unique power to the person who has them all. The special effects when they do is particularly nice.
Nielsen, though, has a bigger problem than whether or not his two field operatives bring back the artifact in question. He knows them well enough to realize they are fully equipped to do so.
Claudia (Allison Scagliotti-Smith) once kidnapped Nielsen for her own purposes ("Claudia"). The security breach is cause for concern. Worse yet, the woman has a brother,Joshua, a brilliant researcher who is now without a clue as to his next steps. Since the choices are limited as regards to safety, Artie finds him a job in Switzerland. This might be the last of Tyler Hynes, but this is also scifi. Anything can happen down the road.
Perhaps the character to watch this week is Leena (Genelle Williams), the psychic who runs the bed and breakfast ("Pilot"). She is quick to notice other people's emotions and quicker to understand what those mean. Williams might not have the same instant recognition the others have, but her appearances are always worth the wait. It is going to be interesting to see what her backstory is.
Much better job on the credits this time! For once, the top three characters have their pictures out beside the names of the actors portraying them. Hynes was left off the guest star list completely. Whoops! He appears in two episodes back to back, so it's not as if viewers would not recognize him. Could it have been left off on purpose, since the writers planned his exit well in advance of the character exiting? Possibly, but I don't agree with the reasoning if so.
Scagliotti-Smith has shown she has the acting chops to be an integral part of this cast. Claudia is a sassy genius who provides a stark contrast from the easygoing Pete and straightlaced Myka. She lives by the use of street smarts, which should prove very interesting to the Warehouse workings.
On Blogcritics.
Tuesday, August 04, 2009
TV Review Eureka "Its Not Easy Being Green"
'http://notesfromnancy.blogspot.com
Blogarama
Just so you know, Kermit is not among the guest stars this week. I do hope someone is paying him royalties for the use of his most famous song title. Aliens? Well, not exactly. There is a bowling match between Fargo (Neil Grayston)'s team and a team led by Bismarck (actor name not available). Some clever pranks arise out of these two groups, from a ball which splits - and tackles split pins to an exploding ball to fill the immediate air with white powder. Nobody gets hurt, which gets Jack (Colin Ferguson) happy.
Tess (Jaime Ray Newman) and Allison (Salli Richardson Whitfield) have a request for him. Get back energy sources from different parts of town so a laser can work. The name for the stuff is barely pronouncable, but a problem arises. Nuclear power cells go missing too. It's not too hard a guess as to the culprit when Big Ed (John DeSantis) has the job of cleaning. He more or less gets Global Dynamics sterile with organisms specific to the situation.
Duncan (Jeff Pangman) is back, despite being told he got Lexi (Ever Carradine), Jack's sister, pregnant with twins ("Insane in the P-Brane"). He uses his skills as a doctor in the World Health Organization to repair prank damage. Sutures aren't needed, but body cream is.
After nearly getting eaten by the green gook, he and Lexi plan to leave Eureka and get back to their real work. Carradine adds one more layer to the Carter story, but she needs to move on. She's not the science geek most are, and she would be wrong for a cop. Could she be back? Maybe. A script could have her use a webcam to let Jack and Zoe (Jordan Hinson) see her babies being born.
Part of this episode is a tribute to The Blob. Although I haven't seen the movie, I am assuming the idea is not quite a carbon copy. Every television show which uses a topic from say, current events or other popular broadcasts, still has to make things work for the regular show and its characters. Having Grayston attacked in the shower is funny. The soap is artistically placed to get past the censors. I only wonder how many takes it took....
Aliens is also given its due. One scene has Jack underground as he tries to freeze the slithering goo into compliance. In a way, Ghostbusters pokes its head out and says hi. For all the seriousness of the situation, enough lighthearted moments happen so viewers are not cringing beneath blankets.
The 'something's coming' storyline is still playing out. Since over half the season is on tap, this just might be all the way through to the finale in September. Zane Donovan (Niall Matter) will hopefully be back by then. He isn't the lead role, Colin plays it. However, he is a vital part of the community. Ever since his girlfriend Jo (Erica Cerra), the deputy sheriff, had an identity issue ("Your Face or Mine"), Zane vanished and hasn't been heard or seen since. Tess is hardly a replacement. Lucas (Vanya Asher) is back, though, but Zane is just plain eye candy.
Published on Blogcritics.
Blogarama
Just so you know, Kermit is not among the guest stars this week. I do hope someone is paying him royalties for the use of his most famous song title. Aliens? Well, not exactly. There is a bowling match between Fargo (Neil Grayston)'s team and a team led by Bismarck (actor name not available). Some clever pranks arise out of these two groups, from a ball which splits - and tackles split pins to an exploding ball to fill the immediate air with white powder. Nobody gets hurt, which gets Jack (Colin Ferguson) happy.
Tess (Jaime Ray Newman) and Allison (Salli Richardson Whitfield) have a request for him. Get back energy sources from different parts of town so a laser can work. The name for the stuff is barely pronouncable, but a problem arises. Nuclear power cells go missing too. It's not too hard a guess as to the culprit when Big Ed (John DeSantis) has the job of cleaning. He more or less gets Global Dynamics sterile with organisms specific to the situation.
Duncan (Jeff Pangman) is back, despite being told he got Lexi (Ever Carradine), Jack's sister, pregnant with twins ("Insane in the P-Brane"). He uses his skills as a doctor in the World Health Organization to repair prank damage. Sutures aren't needed, but body cream is.
After nearly getting eaten by the green gook, he and Lexi plan to leave Eureka and get back to their real work. Carradine adds one more layer to the Carter story, but she needs to move on. She's not the science geek most are, and she would be wrong for a cop. Could she be back? Maybe. A script could have her use a webcam to let Jack and Zoe (Jordan Hinson) see her babies being born.
Part of this episode is a tribute to The Blob. Although I haven't seen the movie, I am assuming the idea is not quite a carbon copy. Every television show which uses a topic from say, current events or other popular broadcasts, still has to make things work for the regular show and its characters. Having Grayston attacked in the shower is funny. The soap is artistically placed to get past the censors. I only wonder how many takes it took....
Aliens is also given its due. One scene has Jack underground as he tries to freeze the slithering goo into compliance. In a way, Ghostbusters pokes its head out and says hi. For all the seriousness of the situation, enough lighthearted moments happen so viewers are not cringing beneath blankets.
The 'something's coming' storyline is still playing out. Since over half the season is on tap, this just might be all the way through to the finale in September. Zane Donovan (Niall Matter) will hopefully be back by then. He isn't the lead role, Colin plays it. However, he is a vital part of the community. Ever since his girlfriend Jo (Erica Cerra), the deputy sheriff, had an identity issue ("Your Face or Mine"), Zane vanished and hasn't been heard or seen since. Tess is hardly a replacement. Lucas (Vanya Asher) is back, though, but Zane is just plain eye candy.
Published on Blogcritics.
Saturday, August 01, 2009
TV Review Warehouse 13 "Claudia"
'http://notesfromnancy.blogspot.com
Blogarama
When Artie Nielsen (Saul Rubinek) leaves the Warehouse in South Dakota, it's not necessarily an emergency. After all, the responsibility of uncovering the reason behind strangne behavior involves some travel. The Farnsworth is a different story. What is this? Perhaps the best way to describe it is a slim metal box which lets people communicate. Slightly less advanced than a cell phone, it only works between the base of operations and the user. Artie knows better than to not have one of these devices with him at all times.
Pete Lattimer (Eddie McClintock) and Myka (Joanne Kelly) are, therefore, concerned when they see his Farnsworth on his desk. He's nowhere to be found in the building. It's the second clue something's wrong since returning from an assignment to find the Warehouse door left open. A camera of sorts helps out with a play by play of the last person to see Artie.
Alison Scagliotti makes her debut this week as Claudia Donovan, a young woman who has revenge on her mind. She blames Artie for the presumed death of her brother Joshua. Now, science fiction is known for its twists. Suffice it to say there is a special place for those who depart life before they are meant to. I get a sense of Ghost, although not quite the same concept. By the time Pete and Myka give Artie what he needs to help, it is not in time to stop more trouble from coming. Mrs. Frederic (CCH Pounder) tells Artie that Claudia breaching security is troubling. He knows his options, although she never states them directly. While Claudia is intended to be in more storylines this season, it remains to be seen if Joshua will as well. More than likely, he should be in one more. At some point. With nine more episodes to go, it could be a while.
In a way, the interaction between Joshua and Claudia is a nod to the work Sean Maher and Summer Glau did when Firefly was still on the air. Come to think of it, Simon Tam, who Maher played, was a vest guy on most occasions. I've seen more than a few of those in regards to this show. The closeness between brother and sister is how they get through even the toughest of times. A family bond is greater than any bump in the road. Viewers also find out Pete has a sister. It's possible she's deaf, since he learned to read lips from her. The actual line can be taken more than one way. Maybe one day she will show herself.
One of the Firefly writers, Jane Espenson, is also a writer for Warehouse 13. What are the chances a former cast member will show up? Let's see. Adam Baldwin is a series regular on Chuck. Not being the lead, he has wiggle room. So does Alan Tudyk. Between Dollhouse and V could be tricky. Morena Baccarin is also on V, probably a character in most episodes. Summer Glau is free, with her last show being cancelled. Nathan Fillion is the lead on Castle, good luck getting him on anything else. Gina Torres and Jewel Staite might be available. So could Ron Glass. Sean Maher? This could be fun....
Only time will tell. Keep watching Warehouse 13!
Available on Blogcritics.
Blogarama
When Artie Nielsen (Saul Rubinek) leaves the Warehouse in South Dakota, it's not necessarily an emergency. After all, the responsibility of uncovering the reason behind strangne behavior involves some travel. The Farnsworth is a different story. What is this? Perhaps the best way to describe it is a slim metal box which lets people communicate. Slightly less advanced than a cell phone, it only works between the base of operations and the user. Artie knows better than to not have one of these devices with him at all times.
Pete Lattimer (Eddie McClintock) and Myka (Joanne Kelly) are, therefore, concerned when they see his Farnsworth on his desk. He's nowhere to be found in the building. It's the second clue something's wrong since returning from an assignment to find the Warehouse door left open. A camera of sorts helps out with a play by play of the last person to see Artie.
Alison Scagliotti makes her debut this week as Claudia Donovan, a young woman who has revenge on her mind. She blames Artie for the presumed death of her brother Joshua. Now, science fiction is known for its twists. Suffice it to say there is a special place for those who depart life before they are meant to. I get a sense of Ghost, although not quite the same concept. By the time Pete and Myka give Artie what he needs to help, it is not in time to stop more trouble from coming. Mrs. Frederic (CCH Pounder) tells Artie that Claudia breaching security is troubling. He knows his options, although she never states them directly. While Claudia is intended to be in more storylines this season, it remains to be seen if Joshua will as well. More than likely, he should be in one more. At some point. With nine more episodes to go, it could be a while.
In a way, the interaction between Joshua and Claudia is a nod to the work Sean Maher and Summer Glau did when Firefly was still on the air. Come to think of it, Simon Tam, who Maher played, was a vest guy on most occasions. I've seen more than a few of those in regards to this show. The closeness between brother and sister is how they get through even the toughest of times. A family bond is greater than any bump in the road. Viewers also find out Pete has a sister. It's possible she's deaf, since he learned to read lips from her. The actual line can be taken more than one way. Maybe one day she will show herself.
One of the Firefly writers, Jane Espenson, is also a writer for Warehouse 13. What are the chances a former cast member will show up? Let's see. Adam Baldwin is a series regular on Chuck. Not being the lead, he has wiggle room. So does Alan Tudyk. Between Dollhouse and V could be tricky. Morena Baccarin is also on V, probably a character in most episodes. Summer Glau is free, with her last show being cancelled. Nathan Fillion is the lead on Castle, good luck getting him on anything else. Gina Torres and Jewel Staite might be available. So could Ron Glass. Sean Maher? This could be fun....
Only time will tell. Keep watching Warehouse 13!
Available on Blogcritics.
TV Review Warehouse 13 "Magnetism"
'http://notesfromnancy.blogspot.com
Blogarama
Pete Lattimer (Eddie McClintock) and Myka Bering (Joanne Kelly) are both good at being Secret Service agents, but they could not be any more different in terms of their approaches to working a case. Pete gets 'feelings', even though he may not know exactly what's coming. All he understands is he needs to pay attention. Myka, on the other hand, is a list maker. She plans (or tries to) well in advance what her next steps should be. They make a decent team, if only they could be TOGETHER in terms of the worthiness from not being carbon copies.
The latest adventure takes these two on a road trip. Unionsville, Colorade, has seen a few people act weird as of recently. A nun who thinks she can fly - I have to wonder if Sally Field was watching. One lady who smashes ashes against a hospital wall, and a youth who destroys his violin while in the midst of a lesson. A connection exists- but what? All Artie (Saul Rubinek) can say is an artifact needs retrieval. Gee, you think?
I didn't find too much which stood out in this episode. Pete goes to an AA meeting, alone. Assuming his record is known for its problems, I have to believe Myka is all too aware of his past. Nobody, except Artie, talks about it. Eight years is a long time to be sober, and the writers are smart enough to recognize all it takes is one sip and all manner of mess breaks loose. The cause is pretty obvious - Pete having his dad die before he could see his son grow up ("Pilot"). This, coupled with guilt over not issuing a warning beforehand, drives him to drink. Maybe. McClintock is good at showing strong emotion, so vulnerable is not difficult.
While the artifact is surprising, the twist from the town Sheriff (Cornell Womack) is the bigger one. Most of the people affected have a reason for odd behavior, except him. My best guess is a past military experience.
The break in to Warehouse continues! Leena (Genelle Williams) is around when an attempt is made through the electrical grid. No clue as to exactly who, but it may not be too long before the culprit is revealed. Whoever is responsible has brains, though. Dickenson (Simon Reynolds) got accused when it looked like the hacker was him ("Resonance"). Or, at least, came from his office.
Allow me to make a suggestion. There are only three characters who are seen each week for sure. Pete, Myka, and Artie. With regards to Leena, Dickenson, and Mrs. Frederic (CCH Pounder) - popping up from time to time is known as recurring guest star status. Why not leave their names off the opening credits? I'm talking about the episodes they end up not being in.
Previously found on Blogcritics.
Blogarama
Pete Lattimer (Eddie McClintock) and Myka Bering (Joanne Kelly) are both good at being Secret Service agents, but they could not be any more different in terms of their approaches to working a case. Pete gets 'feelings', even though he may not know exactly what's coming. All he understands is he needs to pay attention. Myka, on the other hand, is a list maker. She plans (or tries to) well in advance what her next steps should be. They make a decent team, if only they could be TOGETHER in terms of the worthiness from not being carbon copies.
The latest adventure takes these two on a road trip. Unionsville, Colorade, has seen a few people act weird as of recently. A nun who thinks she can fly - I have to wonder if Sally Field was watching. One lady who smashes ashes against a hospital wall, and a youth who destroys his violin while in the midst of a lesson. A connection exists- but what? All Artie (Saul Rubinek) can say is an artifact needs retrieval. Gee, you think?
I didn't find too much which stood out in this episode. Pete goes to an AA meeting, alone. Assuming his record is known for its problems, I have to believe Myka is all too aware of his past. Nobody, except Artie, talks about it. Eight years is a long time to be sober, and the writers are smart enough to recognize all it takes is one sip and all manner of mess breaks loose. The cause is pretty obvious - Pete having his dad die before he could see his son grow up ("Pilot"). This, coupled with guilt over not issuing a warning beforehand, drives him to drink. Maybe. McClintock is good at showing strong emotion, so vulnerable is not difficult.
While the artifact is surprising, the twist from the town Sheriff (Cornell Womack) is the bigger one. Most of the people affected have a reason for odd behavior, except him. My best guess is a past military experience.
The break in to Warehouse continues! Leena (Genelle Williams) is around when an attempt is made through the electrical grid. No clue as to exactly who, but it may not be too long before the culprit is revealed. Whoever is responsible has brains, though. Dickenson (Simon Reynolds) got accused when it looked like the hacker was him ("Resonance"). Or, at least, came from his office.
Allow me to make a suggestion. There are only three characters who are seen each week for sure. Pete, Myka, and Artie. With regards to Leena, Dickenson, and Mrs. Frederic (CCH Pounder) - popping up from time to time is known as recurring guest star status. Why not leave their names off the opening credits? I'm talking about the episodes they end up not being in.
Previously found on Blogcritics.
TV Review Warehouse 13 "Resonance"
'http://notesfromnancy.blogspot.com
Blogarama
Pete Lattimer (Eddie McClintock) and Myka Bering (Joanne Kelly) may work for the government, but at least their Secret Service assignemnt was a simple one - protect the President. What may have gone unspoken was understood, that your life could be forfeit in the process.
Warerhouse 13, however, is a whole new ball game. Artifacts are collected over time and kept in one spot. Every so often, an item goes astray and has to be retrieved. Generally speaking, this means post haste. A series of bank robberies take place in Chicago. This is not an uncommon occurence. Criminals who do not use a gun enseure Pete and Myka are on the case. They just have to deal with Agent Bonnie (Tricia Helfer Battlestar Galactica) of the FBI, who is not happy to have help.
Seeing McClintock and Helfer face off is a sweet touch! It wasn't too long ago each played a goverenment agent - he in Bones and she in Burn Notice. Kelly is the tough as nails operative who goes by procedure. A three way conflict reminds viewers there is a cop feel to the science fiction.
In the midst of this, Artie (Saul Rubinek) is having issues of his own. Someone breaks through the firewall and locks on the computer array. Leena (Genelle Williams), the bed and breakfast owner and a secret keeper herslf, is nearby when Artie breaks the news of where the hacker is located. Hello Dickenson (Simon Reynolds)! He who would like nothing better than to have Lattimer and Bering work for him again. The instant I hear this, I had to wonder if Dickenson himself is the actual culprit. Why? A computer person does not have to use his or her own computer to do the task in question. Seems to me Artie might consider this.
Yet another toy is uncovered in this episode when Artie's camera flattens Dickenson literally into a cardboard cutout. Whether or not the former boss is involved is for you to find out. There is, though, a conspiracy afoot. Or so it seems, anyway.
Mrs. Frederic (CCH Pounder) may not not be the head of the food chain when it comes to the Warehouse. The obnly thing anybody knows for sure at this point is a falshabck to Artie's younger days suggests he has already met this person or group during his career or lifetime.
Since this show wants to draw in viewers badly (premiere season, they are hoping to get a new one down the road), guest stars are coming from other science fiction shows and peope who are recognizable. You may not remember the name, but there is an aha! feeling of seeing the actor somewhere before. How cool would it be for a Fringe type moment when Leonard Nimoy popped up in the Season One finale? For the record, nothing I've seen has suggested Mr. Spock is on the guest list. A well known face of the hacker may just be what brings in even more viewers for a fresh season.
Does this show deserve one? Maybe. I need to see more episodes first, but I do enjoy watching. So far, anyway.
Bering gives us a glimpse into her personal life. A cell phone call from home rattles her greatly. Pete, the observant type, inquires as to why. We find out her dad is not the easiest person to be around. She compares, in fact, him to the main character in The Great Santini by Pat Conroy. Hmmmm..... should we get to meet this person, I have an idea for the actor. Kevin Tighe. Desoto from Emergency and more recently Locke's father on Lost. Watching Tighe is not always comfortable, which is why I think he could do well in the part.
There is also a hint of some scandal in Bering's life. Could she have been having an affair with Sam, her now deceased partner? It's not out of the question, although not much is known yet. All anybody knows about the Denver incident was is something goes wrong and Sam ends up dead.
With Fringe on hiatus until who knows when, this is the show to watch! What it needs more than anything, however, is a viewership which is consistent up to and including the finale.
Like what you read? Find more articles on Blogcritics.
Blogarama
Pete Lattimer (Eddie McClintock) and Myka Bering (Joanne Kelly) may work for the government, but at least their Secret Service assignemnt was a simple one - protect the President. What may have gone unspoken was understood, that your life could be forfeit in the process.
Warerhouse 13, however, is a whole new ball game. Artifacts are collected over time and kept in one spot. Every so often, an item goes astray and has to be retrieved. Generally speaking, this means post haste. A series of bank robberies take place in Chicago. This is not an uncommon occurence. Criminals who do not use a gun enseure Pete and Myka are on the case. They just have to deal with Agent Bonnie (Tricia Helfer Battlestar Galactica) of the FBI, who is not happy to have help.
Seeing McClintock and Helfer face off is a sweet touch! It wasn't too long ago each played a goverenment agent - he in Bones and she in Burn Notice. Kelly is the tough as nails operative who goes by procedure. A three way conflict reminds viewers there is a cop feel to the science fiction.
In the midst of this, Artie (Saul Rubinek) is having issues of his own. Someone breaks through the firewall and locks on the computer array. Leena (Genelle Williams), the bed and breakfast owner and a secret keeper herslf, is nearby when Artie breaks the news of where the hacker is located. Hello Dickenson (Simon Reynolds)! He who would like nothing better than to have Lattimer and Bering work for him again. The instant I hear this, I had to wonder if Dickenson himself is the actual culprit. Why? A computer person does not have to use his or her own computer to do the task in question. Seems to me Artie might consider this.
Yet another toy is uncovered in this episode when Artie's camera flattens Dickenson literally into a cardboard cutout. Whether or not the former boss is involved is for you to find out. There is, though, a conspiracy afoot. Or so it seems, anyway.
Mrs. Frederic (CCH Pounder) may not not be the head of the food chain when it comes to the Warehouse. The obnly thing anybody knows for sure at this point is a falshabck to Artie's younger days suggests he has already met this person or group during his career or lifetime.
Since this show wants to draw in viewers badly (premiere season, they are hoping to get a new one down the road), guest stars are coming from other science fiction shows and peope who are recognizable. You may not remember the name, but there is an aha! feeling of seeing the actor somewhere before. How cool would it be for a Fringe type moment when Leonard Nimoy popped up in the Season One finale? For the record, nothing I've seen has suggested Mr. Spock is on the guest list. A well known face of the hacker may just be what brings in even more viewers for a fresh season.
Does this show deserve one? Maybe. I need to see more episodes first, but I do enjoy watching. So far, anyway.
Bering gives us a glimpse into her personal life. A cell phone call from home rattles her greatly. Pete, the observant type, inquires as to why. We find out her dad is not the easiest person to be around. She compares, in fact, him to the main character in The Great Santini by Pat Conroy. Hmmmm..... should we get to meet this person, I have an idea for the actor. Kevin Tighe. Desoto from Emergency and more recently Locke's father on Lost. Watching Tighe is not always comfortable, which is why I think he could do well in the part.
There is also a hint of some scandal in Bering's life. Could she have been having an affair with Sam, her now deceased partner? It's not out of the question, although not much is known yet. All anybody knows about the Denver incident was is something goes wrong and Sam ends up dead.
With Fringe on hiatus until who knows when, this is the show to watch! What it needs more than anything, however, is a viewership which is consistent up to and including the finale.
Like what you read? Find more articles on Blogcritics.
Monday, July 27, 2009
TV Review Warehouse 13 "Pilot"
'http://notesfromnancy.blogspot.com
Blogarama
Warehouse 13 is not the first science fiction series ever made on television, but it DOES have the distinction of being the first show out of the gate this summer. To make sure people remember, the SciFi Channel changed a familiar moniker to SyFy. Ugh! At least with option #1, there was never a question about what type of viewing someone would see upon tuning in.
Name kerfluffle aside, this quirky drama helps put itself on the map with a simple premise. Federal agents, specifically Secret Service operatives Pete Lattimer (Eddie McClintock) and Myka Bering (Joanne Kelly) are sent to a South Dakota barn thingie to protect America's best kept, well, secrets. Yes, I know what the show is called. The storage facility still looks like a giant barn. Watching over the assortment of items is Artie (Saul Rubinek), who sends Lattimer and Bering out on assignment whenever a whatsis escapes. All they have to do is catch the thing and drop into a neutralizer. Easy, right? Hardly.
McClintock and Kelly do a decent job of back and forth banter without going so far as to actually hate one another. Audiences quickly get to know the people behind the suits. Insert X-Files joke here. While both have issues, they are holding onto the job with a firm grip. Bering's backstory alone is worth more viewing. Someone close to her died while she was on assignment in Denver. My best guess is a former partner. Exactly what happened remains to be seen.
Lattimer also has a death in his past. A firefighter father who never made it out of a burning building. I get the impression he is fighting a substance abuse problem. Specifically, alcohol. Both of these agents need the other in order to heal. More importantly, they need a fresh start.
Enter Mrs. Frederic (CCH Pounder), whose past is virtually unknown at this point. She takes care of the official paperwork and sends Ms. Logical and Mr. Cutup to Artie. This mad scientist type quickly gives our intrepid duo a present - one furry ferret. The longus rodentus kind. No, it doesn't talk. Thank heavens. Off to Iowa they go!
The case has to be seen to be believed, but Lucretia Borgia figures heavily into the plot. Fire is also a huge presence. For the record, Lattimer's dad is only mentioned, not shown.
The two hour pilot is a bit long, especially the stuff before the opening credits. With any luck, the rest of the season will improve. it has to, since more than a few actors from other science fiction shows are said to be guest stars. Look for cast members of Eureka, Battlestar Galactica, and Stargate Atlantis to pop up at various times.
Speaking of guest stars, somebody needs to fix those credits! No names of regular cast members are placed with faces. This would have helped with the female lead role, Joanne Kelly. Although she may have been in the business for a bit, her face is not instantly recognizable like McClintock and Rubinek. Worse yet, no actor names shown beyond recurring characters. Whoops. The visual impact won't be lost if the people in a particular episode are given their due.
Warehouse 13 has a gigantic obstacle to overcome in its time slot at 9pm Tuesday nights. Why? America's Got Talent airs then too. DVR's should help, but usually there is a repeat not far from the original. In any case, Internet users will find episodes online for the watching.
On Blogcritics.
Blogarama
Warehouse 13 is not the first science fiction series ever made on television, but it DOES have the distinction of being the first show out of the gate this summer. To make sure people remember, the SciFi Channel changed a familiar moniker to SyFy. Ugh! At least with option #1, there was never a question about what type of viewing someone would see upon tuning in.
Name kerfluffle aside, this quirky drama helps put itself on the map with a simple premise. Federal agents, specifically Secret Service operatives Pete Lattimer (Eddie McClintock) and Myka Bering (Joanne Kelly) are sent to a South Dakota barn thingie to protect America's best kept, well, secrets. Yes, I know what the show is called. The storage facility still looks like a giant barn. Watching over the assortment of items is Artie (Saul Rubinek), who sends Lattimer and Bering out on assignment whenever a whatsis escapes. All they have to do is catch the thing and drop into a neutralizer. Easy, right? Hardly.
McClintock and Kelly do a decent job of back and forth banter without going so far as to actually hate one another. Audiences quickly get to know the people behind the suits. Insert X-Files joke here. While both have issues, they are holding onto the job with a firm grip. Bering's backstory alone is worth more viewing. Someone close to her died while she was on assignment in Denver. My best guess is a former partner. Exactly what happened remains to be seen.
Lattimer also has a death in his past. A firefighter father who never made it out of a burning building. I get the impression he is fighting a substance abuse problem. Specifically, alcohol. Both of these agents need the other in order to heal. More importantly, they need a fresh start.
Enter Mrs. Frederic (CCH Pounder), whose past is virtually unknown at this point. She takes care of the official paperwork and sends Ms. Logical and Mr. Cutup to Artie. This mad scientist type quickly gives our intrepid duo a present - one furry ferret. The longus rodentus kind. No, it doesn't talk. Thank heavens. Off to Iowa they go!
The case has to be seen to be believed, but Lucretia Borgia figures heavily into the plot. Fire is also a huge presence. For the record, Lattimer's dad is only mentioned, not shown.
The two hour pilot is a bit long, especially the stuff before the opening credits. With any luck, the rest of the season will improve. it has to, since more than a few actors from other science fiction shows are said to be guest stars. Look for cast members of Eureka, Battlestar Galactica, and Stargate Atlantis to pop up at various times.
Speaking of guest stars, somebody needs to fix those credits! No names of regular cast members are placed with faces. This would have helped with the female lead role, Joanne Kelly. Although she may have been in the business for a bit, her face is not instantly recognizable like McClintock and Rubinek. Worse yet, no actor names shown beyond recurring characters. Whoops. The visual impact won't be lost if the people in a particular episode are given their due.
Warehouse 13 has a gigantic obstacle to overcome in its time slot at 9pm Tuesday nights. Why? America's Got Talent airs then too. DVR's should help, but usually there is a repeat not far from the original. In any case, Internet users will find episodes online for the watching.
On Blogcritics.
Book Review Retirement Can be Murder by Susan Santangelo
'http://notesfromnancy.blogspot.com
Blogarama
Retirement Can Be Murder A Carol and Jim Andrews Baby Boomer Mystery, by Susan Santangelo, is the first book in a new series which talks about life changes as seen through a woman's perspective. Carol Andrews has known for a while about the unhappiness her husband, Jim, experiences as part of his work environment. Even though he's younger than the typical age when most hang up their career hats, he is nevertheless surprised to deal with a bigger problem.
A man who specializes in post retirement planning is found dead in his office one day. This wouldn't be an issue if Jim hadn't been the one to discover the corpse. Whoops! Hijinks ensue as Carol races to prove the police wrong and show Jim is not the culprit they seek.
For a first time author, Santangelo does not do too badly with this selection. She captures well the anxiety of a wife who must face the reality of her life turning upside down. Good thing she has her friends to help.
These three characters are perhaps the best part of the book. Mary Alice, Nancy, and Claire are as different as they can be. However, the bond is a long one forged over time. They have gone through all parts of life - sicknesses, widowhood, seeing children grow up to finally leave home for good. As long as they have one another, though, they have the strength to continue on no matter what comes up.
In Carol's case, she has the additional snag in seeing her daughter come home from California. The boyfriend did not work out, but Jenny finds out for herself just how rotten her guy is. Readers with offspring will understand the dilemma - does a parent stay out of the way and let the child learn or try and stop disaster before it strikes? It's not an easy choice, but it must be made anyway.
I also like the character of Mark Anderson, whose cop career is at odds with his liking of a family who has known him for many years. They have watched him grow up, too. Does he ignore evidence to let a criminal get away with homicide? Since there is not exactly another suspect around, the task is a daunting one.
Santangelo, in additional to being a professional writer, is a breast cancer survivor of ten years. she helped found the Breast Cancer Survival Center in Connecticut. This facility gives support as well as education about cancer to those who have had treatment. A portion from each book sold goes to this group.
On Blogcritics.
Blogarama
Retirement Can Be Murder A Carol and Jim Andrews Baby Boomer Mystery, by Susan Santangelo, is the first book in a new series which talks about life changes as seen through a woman's perspective. Carol Andrews has known for a while about the unhappiness her husband, Jim, experiences as part of his work environment. Even though he's younger than the typical age when most hang up their career hats, he is nevertheless surprised to deal with a bigger problem.
A man who specializes in post retirement planning is found dead in his office one day. This wouldn't be an issue if Jim hadn't been the one to discover the corpse. Whoops! Hijinks ensue as Carol races to prove the police wrong and show Jim is not the culprit they seek.
For a first time author, Santangelo does not do too badly with this selection. She captures well the anxiety of a wife who must face the reality of her life turning upside down. Good thing she has her friends to help.
These three characters are perhaps the best part of the book. Mary Alice, Nancy, and Claire are as different as they can be. However, the bond is a long one forged over time. They have gone through all parts of life - sicknesses, widowhood, seeing children grow up to finally leave home for good. As long as they have one another, though, they have the strength to continue on no matter what comes up.
In Carol's case, she has the additional snag in seeing her daughter come home from California. The boyfriend did not work out, but Jenny finds out for herself just how rotten her guy is. Readers with offspring will understand the dilemma - does a parent stay out of the way and let the child learn or try and stop disaster before it strikes? It's not an easy choice, but it must be made anyway.
I also like the character of Mark Anderson, whose cop career is at odds with his liking of a family who has known him for many years. They have watched him grow up, too. Does he ignore evidence to let a criminal get away with homicide? Since there is not exactly another suspect around, the task is a daunting one.
Santangelo, in additional to being a professional writer, is a breast cancer survivor of ten years. she helped found the Breast Cancer Survival Center in Connecticut. This facility gives support as well as education about cancer to those who have had treatment. A portion from each book sold goes to this group.
On Blogcritics.
Book Review Chicken Soup for the Soul Empty Nester's by Jack Hansen et al.
'http://notesfromnancy.blogspot.com
Blogarama
Chicken Soup for the Soul Empty Nesters, by Jack Canfield, Mark Victor Hansen, Carol McAdoo Rehme,and Patricia Cena Evans, is exactly what it sounds like. A collection of short stories, poems, and whatnot which talk about life after children leave the house and start their own lives.
So what does the typical parent go through? It depends on the individual. Sometimes there is heartbreak one can no longer be responsible for the actions of an offspring. Relief might come into play as the young adult is finally leaving the house. Many parents find themselves starting completely over on a fresh journey of their own.
For Rehme, this book is stories which she can easily relate to. As a mother of four who flew the coop and started families, she is well experienced in the empty nest syndrome. Evans also understands this topic. She is a midwife by profession as well as a mentor to the women.
Wisely, the tales are taken from all sides. Those who had a child (or several) show just what being newly independent means. Offspring give readers glimpses inside a college dorm room or what happens after a relationship moves one into the realm of moving on.
"My Nice Surprise", authored by Cheryl Pierson, recalls a time when her daughter is three. Jessica gets a new baby brother, and Mom agrees to get her a gift when she buys him clothes. Suffice it to say Mom does not exactly plan on meeting Jessica's adopted buddy Simon that day, nor would she anticipate the effect he would have on their lives by the time Jessica is ready to move out.
"Send Cookies" from Jean Davidson shows a different kind of leaving. Jean's baby, now a teenager, informs his parents he wishes to join the military. The change he goes through to become a man is much further than any dream anybody could have for him.
"The Christmas Rose" and "Coming Home" are two sides of the same story. Keith Kilby has issues with illegal substances. Karen R. Kilby, Keith's mother, sees the trouble he's in and knows he is the only person who can get him on the path to redemption.
"Adam's Place" by Jean Padgett, is from the perspective of raising a child who has developmental problems. Adam must take a risk, but one small step enables him to thrive in his own unique way.
"For Better or For Worst" is a charming tale passed along by BJ Jensen. A son returning home is more than one might think. He must move in, and his pregnant soon to be wife comes along for the ride. Add in five dogs, aka the Bumpus Hounds, and one gets a recipe for smiles. Talk about an alarm system....
Sally Kelly-Engeman takes on a new challenge in "A Different Kind of Drummer" once she and her husband are once again living by themselves. Let the belly dancing begin! First things first. Some lessons are in order, which involves finding a group of fourteen (plus Sally) whose interest in the sultry movements is peaking so an instructor can be brought in. The results peak her husband's interest too.
Change is imminent when Stephanie Welcher Thompson talks about being "On Edge". The cause has to do with her mom. After both daughters grow up and get going, there is the business of starting a new chapter in life. What better method than to fall in love once more? Thompson has to reconcile her feelings with a newly found
maturity.
This short essay collection is divided into sections so a reader can start at the point where the heart resonates the most. However, there is something inside for each person who picks it up and sits down to peruse it.
One hundred and one bits of whatnot means also there will be some parts which do not appeal. Skipping those pieces should not detract from enjoyment in the least. When one has finished, just pass it along to someone else to read through.
Published on Blogcritics.
Blogarama
Chicken Soup for the Soul Empty Nesters, by Jack Canfield, Mark Victor Hansen, Carol McAdoo Rehme,and Patricia Cena Evans, is exactly what it sounds like. A collection of short stories, poems, and whatnot which talk about life after children leave the house and start their own lives.
So what does the typical parent go through? It depends on the individual. Sometimes there is heartbreak one can no longer be responsible for the actions of an offspring. Relief might come into play as the young adult is finally leaving the house. Many parents find themselves starting completely over on a fresh journey of their own.
For Rehme, this book is stories which she can easily relate to. As a mother of four who flew the coop and started families, she is well experienced in the empty nest syndrome. Evans also understands this topic. She is a midwife by profession as well as a mentor to the women.
Wisely, the tales are taken from all sides. Those who had a child (or several) show just what being newly independent means. Offspring give readers glimpses inside a college dorm room or what happens after a relationship moves one into the realm of moving on.
"My Nice Surprise", authored by Cheryl Pierson, recalls a time when her daughter is three. Jessica gets a new baby brother, and Mom agrees to get her a gift when she buys him clothes. Suffice it to say Mom does not exactly plan on meeting Jessica's adopted buddy Simon that day, nor would she anticipate the effect he would have on their lives by the time Jessica is ready to move out.
"Send Cookies" from Jean Davidson shows a different kind of leaving. Jean's baby, now a teenager, informs his parents he wishes to join the military. The change he goes through to become a man is much further than any dream anybody could have for him.
"The Christmas Rose" and "Coming Home" are two sides of the same story. Keith Kilby has issues with illegal substances. Karen R. Kilby, Keith's mother, sees the trouble he's in and knows he is the only person who can get him on the path to redemption.
"Adam's Place" by Jean Padgett, is from the perspective of raising a child who has developmental problems. Adam must take a risk, but one small step enables him to thrive in his own unique way.
"For Better or For Worst" is a charming tale passed along by BJ Jensen. A son returning home is more than one might think. He must move in, and his pregnant soon to be wife comes along for the ride. Add in five dogs, aka the Bumpus Hounds, and one gets a recipe for smiles. Talk about an alarm system....
Sally Kelly-Engeman takes on a new challenge in "A Different Kind of Drummer" once she and her husband are once again living by themselves. Let the belly dancing begin! First things first. Some lessons are in order, which involves finding a group of fourteen (plus Sally) whose interest in the sultry movements is peaking so an instructor can be brought in. The results peak her husband's interest too.
Change is imminent when Stephanie Welcher Thompson talks about being "On Edge". The cause has to do with her mom. After both daughters grow up and get going, there is the business of starting a new chapter in life. What better method than to fall in love once more? Thompson has to reconcile her feelings with a newly found
maturity.
This short essay collection is divided into sections so a reader can start at the point where the heart resonates the most. However, there is something inside for each person who picks it up and sits down to peruse it.
One hundred and one bits of whatnot means also there will be some parts which do not appeal. Skipping those pieces should not detract from enjoyment in the least. When one has finished, just pass it along to someone else to read through.
Published on Blogcritics.
TV Review Eureka "Insane in the P-Brane"
'http://notesfromnancy.blogspot.com
Blogarama
Now that Jack Carter (Colin Ferguson) officially has his job back, the time is right for something go wrong in Eureka. This is quickly seen as a scientist named Drechmeyer (Brendan Baiser) refuses to let his partner get work done because he does not want to disturb the ghosts residing therein. How is he so sure they exist? The gadget he holds is glowing with green lights.
Okay, so there is a scientific explanation for what is taking place. Time Travel has something to do with it, which means a re-opening of Section 5. While Jack does not get to be fully briefed on the reason (security clearance, he is not on staff on Global Dynamics), Allison (Salli Richardson-Whitfield) agrees to introduce him to Tess Fontana (Jaime Lynn Newman) who is the department chairman.
The lady is a new character who is rumored to be a love interest for Jack. I find it a little hard to believe right now. She stands out with her red hair, but talks way too much. Viewers will more than likely see her again before the season is out.
Lexi (Ever Carradine) has her own encounter with a newcomer, albeit a slightly unwelcome one. Duncan, the guy who apparently gets her pregnant. I tend to doubt he is around simply to try and work things out. Doesn't the fact she left without telling him she was going or looking back say anything? My antennae went up as he promises to go only if he can meet the new guy in her life. Enter Fargo (Neil Grayston)! Well, this is clearly a red herring. Jack needs to know about Duncan's showing up in town, but at least Jo (Erica Cerra) is aware.
The sliding saltshakers are a nice touch. In what might be my imagination, I should point out a flying blue box appears to not be tied down. The reference to Dr. Who comes up fast. Especially since Duncan works for the World Health Organization, and has his Ph.D. This moment makes me smile. A guest star from the huge hit of a series would be nice. Say, David Tennant or perhaps Catherine Piper. Someone from the cast of Torchwood could also work. Schedules can always be worked out.
This last half of the third season is going on the premise 'something is coming'. So far, these first three episodes are a bit slow in regards to explanations. Global Dynamics is gathering its forces, though. Which makes Tess and Duncan arriving seem like perfect sense. Zane (Niall Matter) is not always around. I prefer his company over either of the others. He's the closest thing to a sex symbol since Ed Quinn left. Besides, his charm is delightful to watch.
Published on Blogcritics.
Blogarama
Now that Jack Carter (Colin Ferguson) officially has his job back, the time is right for something go wrong in Eureka. This is quickly seen as a scientist named Drechmeyer (Brendan Baiser) refuses to let his partner get work done because he does not want to disturb the ghosts residing therein. How is he so sure they exist? The gadget he holds is glowing with green lights.
Okay, so there is a scientific explanation for what is taking place. Time Travel has something to do with it, which means a re-opening of Section 5. While Jack does not get to be fully briefed on the reason (security clearance, he is not on staff on Global Dynamics), Allison (Salli Richardson-Whitfield) agrees to introduce him to Tess Fontana (Jaime Lynn Newman) who is the department chairman.
The lady is a new character who is rumored to be a love interest for Jack. I find it a little hard to believe right now. She stands out with her red hair, but talks way too much. Viewers will more than likely see her again before the season is out.
Lexi (Ever Carradine) has her own encounter with a newcomer, albeit a slightly unwelcome one. Duncan, the guy who apparently gets her pregnant. I tend to doubt he is around simply to try and work things out. Doesn't the fact she left without telling him she was going or looking back say anything? My antennae went up as he promises to go only if he can meet the new guy in her life. Enter Fargo (Neil Grayston)! Well, this is clearly a red herring. Jack needs to know about Duncan's showing up in town, but at least Jo (Erica Cerra) is aware.
The sliding saltshakers are a nice touch. In what might be my imagination, I should point out a flying blue box appears to not be tied down. The reference to Dr. Who comes up fast. Especially since Duncan works for the World Health Organization, and has his Ph.D. This moment makes me smile. A guest star from the huge hit of a series would be nice. Say, David Tennant or perhaps Catherine Piper. Someone from the cast of Torchwood could also work. Schedules can always be worked out.
This last half of the third season is going on the premise 'something is coming'. So far, these first three episodes are a bit slow in regards to explanations. Global Dynamics is gathering its forces, though. Which makes Tess and Duncan arriving seem like perfect sense. Zane (Niall Matter) is not always around. I prefer his company over either of the others. He's the closest thing to a sex symbol since Ed Quinn left. Besides, his charm is delightful to watch.
Published on Blogcritics.
TV Review Eureka "Your Face or Mine"
'http://notesfromnancy.blogspot.com
Blogarama
Jack's back! Sort of. When Jack Carter (Colin Ferguson) finds out he cannot be fired without written consent of the mayor, he is relieved ("Welcome Back Carter"). Henry Deacon (Joe Morton) won't let him be sent packing out of town. There is however, one small issue left.
Carter must be reinstated by passing a series of tests which, in the words of Dr. Allison Blake (Salli Richardson-Whitfield), head of Global Dynamics and link to the Pentagon, will 'push him to the limit'. He does get a panic button of sorts to stop if things get too hairy. Now, this also disqualifies him from service. Talk about an incentive. Jo Lupo (Erica Cerra), Carter's deputy, gets a perfect score. I have a feeling her military training has something to do with it. She has to take over for forty eight hours while he goes through a test designed to fit his personality. Sure enough, he just has one task. Push a button against an opposite wall. Leave it to the special effects team for a disappearing floor! Don't worry, Carter is safely stuck in the middle.
Colin Ferguson directed this episode, and it worked okay. I find it a little odd he would not use the opportunity to focus on just how critical he is to Eureka. After all, he's the lead role. The one character viewers are guaranteed to see each week. Ferguson decides, however, to give someone else a chance. Lupo has to step up. Hmmm....
It seems both Carter and Lupo are street smart but not necessarily science oriented. How in the world does he not figure out the simplest solution to his puzzle? The answer is already in his hand. Or, to be more specific, his pocket. She manages to arrest Larry Haberman without evidence, only a lame excuse - he enjoys stealing.
Zane Donovan (Niall Matter) is more than a little confused as well. Why would Jo suddenly take an interest in Fargo (Neil Grayston)? Opposites attracting happens to be an understatement in their case. The strong independent woman and the nerd whose greatest asset is in the lab. Beauty versus serious brains. The tipping point is when Jo actually kisses Fargo! Somehow, I doubt Grayston never kisses before this episode is taped. Any actor who has been in the business for a while learns a trick or two down the line. Especially since more than a few spend time on a soap opera as part of a resume.
DNA plays a major role in this episode. So does identity theft. I know the easiest way to handle the job - have Cerra play two roles. The twist is only the beginning. My favorite part? Seeing Matter's face as he questions someone he may care very much about. He isn't stupid enough to completely trust. After all, he just possibly caused the stock market to crash ("Bad to the Drone"). I get the impression this has never been quite proven to beyond a reasonable doubt. Otherwise, he would have been fired long ago. Still, he gets a response only one other person would know. I won't tell what happens next, but it works.
Fargo, in his own way, discovers even more of the puzzle. Only he would get himself trapped with the prime suspect. Painful secrets are shared, by both of them. A bond is made. Whether or not this relationship goes the same way Lupo and Donovan remains to be seen. The whole storyline may just pop up later.
Any big plot similar to say, the Artifact, is on the back burner for now. Which may change as soon as next week now that Carter is securely in position as Sheriff. Whatever takes place, Jordan Hinson needs more singing opportunities! Being Zoe, Carter's daughter, gives her little screen time. Even with a few words, though, I can tell she has solid vocal qualities. Christopher Gauthier, who plays Vincent, is pretty much there for comic relief. He could use an episode focused mostly on him. Perhaps something which involves Dr. Jim Taggart (Matt Frewer)? The animal guy in Global Dynamics has been away ever since Henry was arrested for creating a fake crisis which could have killed Kevin, Allison's son ("A Night at Global Dynamics").
So far, these past two episodes have been a bit lackluster. Ed Quinn pretty much left the show, which means Nathan Stark and Jack Carter are not butting heads. Eva Thorne (Frances Fisher) left town, so the "Fixer" is not creating conflict. This opens the door to a new character or two, yet nobody has stepped up to the plate.
Tune in Fridays at 9pm for all new episodes of Eureka!
This article can also be found at Blogcritics.
Blogarama
Jack's back! Sort of. When Jack Carter (Colin Ferguson) finds out he cannot be fired without written consent of the mayor, he is relieved ("Welcome Back Carter"). Henry Deacon (Joe Morton) won't let him be sent packing out of town. There is however, one small issue left.
Carter must be reinstated by passing a series of tests which, in the words of Dr. Allison Blake (Salli Richardson-Whitfield), head of Global Dynamics and link to the Pentagon, will 'push him to the limit'. He does get a panic button of sorts to stop if things get too hairy. Now, this also disqualifies him from service. Talk about an incentive. Jo Lupo (Erica Cerra), Carter's deputy, gets a perfect score. I have a feeling her military training has something to do with it. She has to take over for forty eight hours while he goes through a test designed to fit his personality. Sure enough, he just has one task. Push a button against an opposite wall. Leave it to the special effects team for a disappearing floor! Don't worry, Carter is safely stuck in the middle.
Colin Ferguson directed this episode, and it worked okay. I find it a little odd he would not use the opportunity to focus on just how critical he is to Eureka. After all, he's the lead role. The one character viewers are guaranteed to see each week. Ferguson decides, however, to give someone else a chance. Lupo has to step up. Hmmm....
It seems both Carter and Lupo are street smart but not necessarily science oriented. How in the world does he not figure out the simplest solution to his puzzle? The answer is already in his hand. Or, to be more specific, his pocket. She manages to arrest Larry Haberman without evidence, only a lame excuse - he enjoys stealing.
Zane Donovan (Niall Matter) is more than a little confused as well. Why would Jo suddenly take an interest in Fargo (Neil Grayston)? Opposites attracting happens to be an understatement in their case. The strong independent woman and the nerd whose greatest asset is in the lab. Beauty versus serious brains. The tipping point is when Jo actually kisses Fargo! Somehow, I doubt Grayston never kisses before this episode is taped. Any actor who has been in the business for a while learns a trick or two down the line. Especially since more than a few spend time on a soap opera as part of a resume.
DNA plays a major role in this episode. So does identity theft. I know the easiest way to handle the job - have Cerra play two roles. The twist is only the beginning. My favorite part? Seeing Matter's face as he questions someone he may care very much about. He isn't stupid enough to completely trust. After all, he just possibly caused the stock market to crash ("Bad to the Drone"). I get the impression this has never been quite proven to beyond a reasonable doubt. Otherwise, he would have been fired long ago. Still, he gets a response only one other person would know. I won't tell what happens next, but it works.
Fargo, in his own way, discovers even more of the puzzle. Only he would get himself trapped with the prime suspect. Painful secrets are shared, by both of them. A bond is made. Whether or not this relationship goes the same way Lupo and Donovan remains to be seen. The whole storyline may just pop up later.
Any big plot similar to say, the Artifact, is on the back burner for now. Which may change as soon as next week now that Carter is securely in position as Sheriff. Whatever takes place, Jordan Hinson needs more singing opportunities! Being Zoe, Carter's daughter, gives her little screen time. Even with a few words, though, I can tell she has solid vocal qualities. Christopher Gauthier, who plays Vincent, is pretty much there for comic relief. He could use an episode focused mostly on him. Perhaps something which involves Dr. Jim Taggart (Matt Frewer)? The animal guy in Global Dynamics has been away ever since Henry was arrested for creating a fake crisis which could have killed Kevin, Allison's son ("A Night at Global Dynamics").
So far, these past two episodes have been a bit lackluster. Ed Quinn pretty much left the show, which means Nathan Stark and Jack Carter are not butting heads. Eva Thorne (Frances Fisher) left town, so the "Fixer" is not creating conflict. This opens the door to a new character or two, yet nobody has stepped up to the plate.
Tune in Fridays at 9pm for all new episodes of Eureka!
This article can also be found at Blogcritics.
TV Review Eureka "Welcome Back Carter"
'http://notesfromnancy.blogspot.com
Blogarama
"Welcome Back Carter"
When we were last in Eureka, Jack Carter (Colin Ferguson) has been removed from his position as town Sheriff. Why? Apparently, he disobeyed an order to hand Dr. Eva Thorn (Frances Fisher) to Department of Defense authorities since she engaged in a scheme to alter historical records ("From Fear to Eternity"). While the door has been left open to her return down the road, odds are that the town of smart people who have seience on the brain are not too likely to hear from her in the immediate future.
Depending on how one counts, this episode either kicks off the remainder of the third season or starts the fourth. Considering the stick-it-in-summer and be done with the thing, I see no problem with a fresh start. The term 'mid season premiere' works best when a show either starts in January and runs until May (think 24) OR it splits into chunks, like Monk and Psych do.
Carter now has to do something to earn a living. What better way than to interview with the Department of Homeland Security? After all, he was a U.S. Marshall prior to being hired as Sheriff. Daughter Zoe (Jordan Hinson) might not appreciate moving in the midst of the school year, but she goes where dad does. Jo Lupo (Erica Cerra) takes on the temporary responsibilities as lawperson in charge until a final decision can be made.
In ordinary circumstances, an underling without any other competition would be the natural replacement. However, Cerra has always played her character as someone with little in the way of people skills. She makes a great cop, but a sheriff position requires a different skill set than what Lupo has. Enter Andy! An android who looks remarkably human.
Ty Olssson does a nice job as Andy, the machine who does the job with almost too much efficiency. Some comic moments come as Olssson has to take on various things collapsing on top of him. These are sight gags one has to view to understand. At least Dr. Doug Fargo (Neil Grayston) is around to help get Andy working properly. For an android, that is.
I'll let you watch to see for yourself if what Carter's ultimate fate is. The interesting part is how things play out.
As Dr. Allison Blake, Salli Richardson-Whitfield has the dual responsibility of running Global Dynamics and being pregnant. I expected her to pop at any moment during this episode. I realize several months went by by airtime and where things ended previously. However. The only explanation I can think of Richardson-Whitfield being preggers onscreen and off. With both Allison and Lexi, Carter's sister (Ever Carradine), in the family way, it just appears a bit odd to have the one carrying twins with less poundage.
Yes, the baby is the offspring of Nathan Stark. Ed Quinn left the show, but it's not entirely unreasonable to think Stark might return when Allison breaks water. Assuming, of course, True Blood wrote into Quinn's contract an option to act in other shows while filming the one which the actor is currently working on.
Allison and Lexi aren't the only ones with new responsibilities. Dr. Henry Deacon (Joe Morton), newly elected mayor, also now has a job which requires him to deal with the public on a regular basis. Perhaps the writers should consider adding town council members into the script at some point. It would help with a plausible storyline for Henry.
About the only cast member who did not show up this week was Zane Donovan (Niall Matter). With such a sizable cast, a person not around is hardly surprising. Besides, I get the impression Matter has a contract which puts him equal to a recurring star. You know the ones, those not there each week, but often enough to be recognized immediately by regular viewers.
Now that Thorn appears to be gone, it's possible Dr. Jim Taggart will be back at the lab again at some point. Matt Frewer is adept at playing wacky, which he proved with his portrayal of Max Headroom a few years back. Exactly when has not been determined yet. Beverly Barlowe, played by Deborah Farentino, may or may not return. Anything is possible with this show.
I do have a small nit to discuss. Watch those promos! They serve a purpose in showing what is coming up so viewers will be sure and turn in. For me, they work to let me know what to focus on next time. BUT. Too much revealed, and there is little reason for anybody to tune in. Low ratings are a problem, folks.
Tune in Fridays at 9pm for more Eureka! Yes, the day is new. DVR's might be in heavier use because of this. Remember, you can always click on the Syfy website to watch online should you miss an episode.
Can be found on Blogcritics.
Blogarama
"Welcome Back Carter"
When we were last in Eureka, Jack Carter (Colin Ferguson) has been removed from his position as town Sheriff. Why? Apparently, he disobeyed an order to hand Dr. Eva Thorn (Frances Fisher) to Department of Defense authorities since she engaged in a scheme to alter historical records ("From Fear to Eternity"). While the door has been left open to her return down the road, odds are that the town of smart people who have seience on the brain are not too likely to hear from her in the immediate future.
Depending on how one counts, this episode either kicks off the remainder of the third season or starts the fourth. Considering the stick-it-in-summer and be done with the thing, I see no problem with a fresh start. The term 'mid season premiere' works best when a show either starts in January and runs until May (think 24) OR it splits into chunks, like Monk and Psych do.
Carter now has to do something to earn a living. What better way than to interview with the Department of Homeland Security? After all, he was a U.S. Marshall prior to being hired as Sheriff. Daughter Zoe (Jordan Hinson) might not appreciate moving in the midst of the school year, but she goes where dad does. Jo Lupo (Erica Cerra) takes on the temporary responsibilities as lawperson in charge until a final decision can be made.
In ordinary circumstances, an underling without any other competition would be the natural replacement. However, Cerra has always played her character as someone with little in the way of people skills. She makes a great cop, but a sheriff position requires a different skill set than what Lupo has. Enter Andy! An android who looks remarkably human.
Ty Olssson does a nice job as Andy, the machine who does the job with almost too much efficiency. Some comic moments come as Olssson has to take on various things collapsing on top of him. These are sight gags one has to view to understand. At least Dr. Doug Fargo (Neil Grayston) is around to help get Andy working properly. For an android, that is.
I'll let you watch to see for yourself if what Carter's ultimate fate is. The interesting part is how things play out.
As Dr. Allison Blake, Salli Richardson-Whitfield has the dual responsibility of running Global Dynamics and being pregnant. I expected her to pop at any moment during this episode. I realize several months went by by airtime and where things ended previously. However. The only explanation I can think of Richardson-Whitfield being preggers onscreen and off. With both Allison and Lexi, Carter's sister (Ever Carradine), in the family way, it just appears a bit odd to have the one carrying twins with less poundage.
Yes, the baby is the offspring of Nathan Stark. Ed Quinn left the show, but it's not entirely unreasonable to think Stark might return when Allison breaks water. Assuming, of course, True Blood wrote into Quinn's contract an option to act in other shows while filming the one which the actor is currently working on.
Allison and Lexi aren't the only ones with new responsibilities. Dr. Henry Deacon (Joe Morton), newly elected mayor, also now has a job which requires him to deal with the public on a regular basis. Perhaps the writers should consider adding town council members into the script at some point. It would help with a plausible storyline for Henry.
About the only cast member who did not show up this week was Zane Donovan (Niall Matter). With such a sizable cast, a person not around is hardly surprising. Besides, I get the impression Matter has a contract which puts him equal to a recurring star. You know the ones, those not there each week, but often enough to be recognized immediately by regular viewers.
Now that Thorn appears to be gone, it's possible Dr. Jim Taggart will be back at the lab again at some point. Matt Frewer is adept at playing wacky, which he proved with his portrayal of Max Headroom a few years back. Exactly when has not been determined yet. Beverly Barlowe, played by Deborah Farentino, may or may not return. Anything is possible with this show.
I do have a small nit to discuss. Watch those promos! They serve a purpose in showing what is coming up so viewers will be sure and turn in. For me, they work to let me know what to focus on next time. BUT. Too much revealed, and there is little reason for anybody to tune in. Low ratings are a problem, folks.
Tune in Fridays at 9pm for more Eureka! Yes, the day is new. DVR's might be in heavier use because of this. Remember, you can always click on the Syfy website to watch online should you miss an episode.
Can be found on Blogcritics.
Sunday, July 26, 2009
TV Review CSI:NY "Pay Up"
'http://notesfromnancy.blogspot.com
Blogarama
Incredible. That, perhaps, is the only word to describe the Season 5 Finale of CSI:NY. Considering how much Internet buzz has been out there regarding the episode "Pay Up", I am pleasantly surprised to find the writers pay attention to what is being said. Why? A few things were left off shows in reserve for next time around. Timelines were switched, and doors were opened in a major way.
Okay. Yes, there was a death. I won't name who since there is a chance some may not have seen the episode. This was inevitable, but honestly, there is at least one other person who could have been in the same position. While I am no mind reader, it could easily have to do with the designated status of the actor or actress involved. I'm talking contract terms, not talent.
The biggest shocker? It comes in the final two minutes or so just before closing credits. Let's see, gunfire from a serious weapon, little clue as to the shooter. Seriously. The vehicle used to transport said person had the window so far up it is impossible to see in. Here's the kicker - everyone in the opening credits has the potential to suffer consequences. The team Mac Taylor (Gray Sinise) heads and others who work closely with them. Having said this, one person highlighted just before the shot. To be fair, doesn't mean much. This character is front and center, but anybody else can work with the scene. Cliffhanger? Heavens yes.
I won't rule out Sinise coming out of this as a hurt Taylor, but killing off the lead role does away with the show. So does a switcheroo, as anyone who watches CSI:Crime Scene Investigation knows. Lawrence Fishburne, as successful as he is, does not do what William Petersen did. He can't, they're two different people. The title's the same, but show now not what it was. And it won't be again.
Craig T. Nelson returns as Robert Dunbrook, the newspaper magnate who is a clear nemesis for Mac. Not only does this take care of Nelson's contractual obligations, but the storyline focuses on Dunbrook's son Connor (Thad Luckinbill) being kidnapped. Problem is, he is planning to testify against his father for past misdeeds. Of course, Mac suspects Dunbrook has something to do with the crime in question. I'll let you see for yourself whether or not he does, since Mac must explain something both for Dunbrook and viewers.
The question posed at the end of the episode is whether Dunbrook is in the car. Personally, I doubt it highly. He's not stupid; a corrupt deputy mayor gets skewered in Dunbrook's paper easily enough ("The Partys Over"). This looks like a revenge thing, where somebody has a problem with the cops and lashes out. Dunbrook will wait to be vindicated in court. If he comes back, that is.
Some rather nice moments occur between characters. Det. Don Flack (Eddie Cahill) reacts to loss by letting the tears flow down his face, he cares about people. A lot, although he might not aways show it. Cahill is generally given the snarkiest lines, which he delivers with perfect wisecracking humor. Not this time, though. The situation is too serious. On the other hand, Det. Danny Messer (Carmine Giovinazzo) punches a wall. Classic moves for both, and absolutely perfect.
Emotions always run high when a crisis is involved, which is dangerous for a cop. Judgment gets affected and cases are too simply compromised. Somebody might just have crossed the line with the latest case. For the record, it's hard to tell if my hypothesis is correct from what is shown. One could assume so, but no evidence or offhand mention backs me up. It's a really scary thought if I turn out to be right, just because it goes against the character's work onscreen. Five seasons, and the same persona is around. Justice not served is another reason I open myself up to other possibilities.
Robert Joy, who plays Dr. Sid Hammerback, the medical examiner, gives a quiet understated performance which gives rise to his talent. It's not what he says, but how and to who. Should he perform the autopsy? No, he's too close. Somebody else needs to, with him to supervise. This is one case where everything needs to be done by the book.
Gary Sinise and Hill Harper have a nice moment during a warehouse raid. Sinise, as Mac, tells Hawkes, the former medical examiner portrayed by Hill Harper, to wait with the medical crew so he can help tend the wounded. Mac expects casualties, even if nobody ends up dead in the process. This makes good sense. A dead doctor is not exactly useful to anyone.
Even AJ Buckley, the delightful comic relief as Adam Ross, shines when he has to put a GPS in Dunbrook's car. The nerves of potentially being caught by Dunbrook himself bring smiles to viewer's faces. Thank heavens Det. Stella Bonasera (Melina Kanakaredes) is there for backup.
Nelly (yes, THAT one) puts in a turn as Terrence the club owner - slash- informant. He opens the case wide up with news of a lead. This is helpful, but the kidnappers have military training. Why? I have no idea. It's yet to be explained. While I can often infer, clues aren't always available to pick over.
The airport hangar puts Mac, Danny, and Flack against a sniper. I have to smile at the shot accuracy. Yes, the point is not to injure anyone. Nobody gets hurt, though? Yikes.
Danny and Lindsay (Anna Belknap) have a name for their baby! It's Lucy. A future team member perhaps?
Words of constructive criticism are in order. All season long, episodes end and promos begin. These highlight what is coming the next time. A repeat or pre-empt means nothing aired until much closer to the airdate, whatever that is. Some shows take a bit before getting back for audiences. I realize there is an attempt to make sure people watch, especially at specific points. BUT. When certain scenes air, a major problem exists. Take for example, the baby of Danny and Det. Lindsay Monroe (Anna Belknap). The news of her pregnancy was announced before the episode aired! Whoops. Now why in the world would anybody watch later? We already know the score. Think, production crews. Also, what goes out to online sources should be carefully considered. Some people have no problem letting the cat out of the bag early. This cannot be helped. The online official (say Michael Ausiello of Entertainment Weekly) and fan sites need to prove they can keep their mouths firmly shut on the big stuff. People should respect a "we're still in contract negotiations", for example. What is sent out via print, like, say, email, should have be free of descriptors which again, tell major plot points. Take Stella and the smuggling ring. A major confrontation between her and Mac occurred. By the time the episode aired, the outcome was already known. Oops.
Viewers are smart, but there is no need to make things easy.
Season 6 of CSI:NY should start up come fall past Emmy presentations. Usually, the premiere is the week of these, but scheduling is a little tricky. There has to be one episode anyway, since lives are now in jeopardy.
On Blogcritics.
Blogarama
Incredible. That, perhaps, is the only word to describe the Season 5 Finale of CSI:NY. Considering how much Internet buzz has been out there regarding the episode "Pay Up", I am pleasantly surprised to find the writers pay attention to what is being said. Why? A few things were left off shows in reserve for next time around. Timelines were switched, and doors were opened in a major way.
Okay. Yes, there was a death. I won't name who since there is a chance some may not have seen the episode. This was inevitable, but honestly, there is at least one other person who could have been in the same position. While I am no mind reader, it could easily have to do with the designated status of the actor or actress involved. I'm talking contract terms, not talent.
The biggest shocker? It comes in the final two minutes or so just before closing credits. Let's see, gunfire from a serious weapon, little clue as to the shooter. Seriously. The vehicle used to transport said person had the window so far up it is impossible to see in. Here's the kicker - everyone in the opening credits has the potential to suffer consequences. The team Mac Taylor (Gray Sinise) heads and others who work closely with them. Having said this, one person highlighted just before the shot. To be fair, doesn't mean much. This character is front and center, but anybody else can work with the scene. Cliffhanger? Heavens yes.
I won't rule out Sinise coming out of this as a hurt Taylor, but killing off the lead role does away with the show. So does a switcheroo, as anyone who watches CSI:Crime Scene Investigation knows. Lawrence Fishburne, as successful as he is, does not do what William Petersen did. He can't, they're two different people. The title's the same, but show now not what it was. And it won't be again.
Craig T. Nelson returns as Robert Dunbrook, the newspaper magnate who is a clear nemesis for Mac. Not only does this take care of Nelson's contractual obligations, but the storyline focuses on Dunbrook's son Connor (Thad Luckinbill) being kidnapped. Problem is, he is planning to testify against his father for past misdeeds. Of course, Mac suspects Dunbrook has something to do with the crime in question. I'll let you see for yourself whether or not he does, since Mac must explain something both for Dunbrook and viewers.
The question posed at the end of the episode is whether Dunbrook is in the car. Personally, I doubt it highly. He's not stupid; a corrupt deputy mayor gets skewered in Dunbrook's paper easily enough ("The Partys Over"). This looks like a revenge thing, where somebody has a problem with the cops and lashes out. Dunbrook will wait to be vindicated in court. If he comes back, that is.
Some rather nice moments occur between characters. Det. Don Flack (Eddie Cahill) reacts to loss by letting the tears flow down his face, he cares about people. A lot, although he might not aways show it. Cahill is generally given the snarkiest lines, which he delivers with perfect wisecracking humor. Not this time, though. The situation is too serious. On the other hand, Det. Danny Messer (Carmine Giovinazzo) punches a wall. Classic moves for both, and absolutely perfect.
Emotions always run high when a crisis is involved, which is dangerous for a cop. Judgment gets affected and cases are too simply compromised. Somebody might just have crossed the line with the latest case. For the record, it's hard to tell if my hypothesis is correct from what is shown. One could assume so, but no evidence or offhand mention backs me up. It's a really scary thought if I turn out to be right, just because it goes against the character's work onscreen. Five seasons, and the same persona is around. Justice not served is another reason I open myself up to other possibilities.
Robert Joy, who plays Dr. Sid Hammerback, the medical examiner, gives a quiet understated performance which gives rise to his talent. It's not what he says, but how and to who. Should he perform the autopsy? No, he's too close. Somebody else needs to, with him to supervise. This is one case where everything needs to be done by the book.
Gary Sinise and Hill Harper have a nice moment during a warehouse raid. Sinise, as Mac, tells Hawkes, the former medical examiner portrayed by Hill Harper, to wait with the medical crew so he can help tend the wounded. Mac expects casualties, even if nobody ends up dead in the process. This makes good sense. A dead doctor is not exactly useful to anyone.
Even AJ Buckley, the delightful comic relief as Adam Ross, shines when he has to put a GPS in Dunbrook's car. The nerves of potentially being caught by Dunbrook himself bring smiles to viewer's faces. Thank heavens Det. Stella Bonasera (Melina Kanakaredes) is there for backup.
Nelly (yes, THAT one) puts in a turn as Terrence the club owner - slash- informant. He opens the case wide up with news of a lead. This is helpful, but the kidnappers have military training. Why? I have no idea. It's yet to be explained. While I can often infer, clues aren't always available to pick over.
The airport hangar puts Mac, Danny, and Flack against a sniper. I have to smile at the shot accuracy. Yes, the point is not to injure anyone. Nobody gets hurt, though? Yikes.
Danny and Lindsay (Anna Belknap) have a name for their baby! It's Lucy. A future team member perhaps?
Words of constructive criticism are in order. All season long, episodes end and promos begin. These highlight what is coming the next time. A repeat or pre-empt means nothing aired until much closer to the airdate, whatever that is. Some shows take a bit before getting back for audiences. I realize there is an attempt to make sure people watch, especially at specific points. BUT. When certain scenes air, a major problem exists. Take for example, the baby of Danny and Det. Lindsay Monroe (Anna Belknap). The news of her pregnancy was announced before the episode aired! Whoops. Now why in the world would anybody watch later? We already know the score. Think, production crews. Also, what goes out to online sources should be carefully considered. Some people have no problem letting the cat out of the bag early. This cannot be helped. The online official (say Michael Ausiello of Entertainment Weekly) and fan sites need to prove they can keep their mouths firmly shut on the big stuff. People should respect a "we're still in contract negotiations", for example. What is sent out via print, like, say, email, should have be free of descriptors which again, tell major plot points. Take Stella and the smuggling ring. A major confrontation between her and Mac occurred. By the time the episode aired, the outcome was already known. Oops.
Viewers are smart, but there is no need to make things easy.
Season 6 of CSI:NY should start up come fall past Emmy presentations. Usually, the premiere is the week of these, but scheduling is a little tricky. There has to be one episode anyway, since lives are now in jeopardy.
On Blogcritics.
TV Review CSI:NY "Grounds for Deception"
'http://notesfromnancy.blogspot.com
Blogarama
It's almost to the end of the fifth season, so of course Det. Mac Taylor (Gary Sinise) finds out about what Det. Stella Bonasera (Melina Kanakaredes) has been up to. Nothing much, just disobeying a direct order and carrying on her own investigation of a smuggling ring with a focus towards Greek antiquities. Either item is grounds for disciplinary action, but both are too serious to be ignored. The writers wisely let Sinise get into full Taylor bellow, using all of his Marine training as a way to really let Stella have it.
How does he find out? Simple, she finds the body of a man who works at the Greek embassy ("Point of No Return"). He once tried to attack her in a subway tunnel ("The Cost of Living"), so there is no trouble identifying him. In a blinding display of stupidity, she calls 911 and reports it! Honestly. For someone who has been trying so hard not to tip off her boss, this makes no sense at all. Audio technicians can easily track down voice recognition patterns. Cops catch most criminals in one way or another, so surely a detecrivre can figure out something else to do. Like let somebody else find the body, for example.
Kanakaredes writes the script for this episode. She puts the exact right touch into the opening scene as Stella hands her badge over to Mac and leaves his office. Viewers who think this is the end of the story (or should be) are in for a rude shock. There's much more to come.
Det. Don Flack (Eddie Cahill) is concerned as well. Flack's girlfriend Jessica Angell (Emanuelle Vaugier), a fellow homicide detective and his romantic partner, agrees to help Stella in her reckless quest for justice. Naturally, he wants to know if Angell is in danger. Not really, since Stella is the one who kicks off the investigation. Wisely, Cahill is calm through the exchange. There is a look in his eyes which shows just how much he cares. Any member of law enforcement understands the inherent risks involved in the profession, although families have some adjusting to do. Both Flack and Angell are kids of cops. They handle themselves just fine, but there is always a chance of danger down the line.
The truly bad half of the smuggling ring might be dead, but the other players are a huge surprise. Or maybe not, depending on how closely viewers pay attention. Stella takes a lot more time than she should to discover who gets labeled the culprit. For a seasoned cop, credibility stretches a bit on this one. How many times does guilt extend to the least likely person? Oh wait. Stella is the woman who takes the word of a rape victim despite mounting evidence to the contrary. She even snaps at Det. Lindsay Monroe (Anna Belknap) for even suggesting a more logical approach to detecting. ("Open and Shut").
With only one more episode left in the season, the biggest surprise are still yet to come. Maybe. Early Internet chatter has more or less told anyone who wants to know just how the finale is set up. I'm not entirely convinced it's accurate, but what I read is hardly a complete shocker. Let me put it this way - the police department just might be affected in a whirling dervish with aftershocks felt for a long time to come.
Can also be found at Blogcritics.
Blogarama
It's almost to the end of the fifth season, so of course Det. Mac Taylor (Gary Sinise) finds out about what Det. Stella Bonasera (Melina Kanakaredes) has been up to. Nothing much, just disobeying a direct order and carrying on her own investigation of a smuggling ring with a focus towards Greek antiquities. Either item is grounds for disciplinary action, but both are too serious to be ignored. The writers wisely let Sinise get into full Taylor bellow, using all of his Marine training as a way to really let Stella have it.
How does he find out? Simple, she finds the body of a man who works at the Greek embassy ("Point of No Return"). He once tried to attack her in a subway tunnel ("The Cost of Living"), so there is no trouble identifying him. In a blinding display of stupidity, she calls 911 and reports it! Honestly. For someone who has been trying so hard not to tip off her boss, this makes no sense at all. Audio technicians can easily track down voice recognition patterns. Cops catch most criminals in one way or another, so surely a detecrivre can figure out something else to do. Like let somebody else find the body, for example.
Kanakaredes writes the script for this episode. She puts the exact right touch into the opening scene as Stella hands her badge over to Mac and leaves his office. Viewers who think this is the end of the story (or should be) are in for a rude shock. There's much more to come.
Det. Don Flack (Eddie Cahill) is concerned as well. Flack's girlfriend Jessica Angell (Emanuelle Vaugier), a fellow homicide detective and his romantic partner, agrees to help Stella in her reckless quest for justice. Naturally, he wants to know if Angell is in danger. Not really, since Stella is the one who kicks off the investigation. Wisely, Cahill is calm through the exchange. There is a look in his eyes which shows just how much he cares. Any member of law enforcement understands the inherent risks involved in the profession, although families have some adjusting to do. Both Flack and Angell are kids of cops. They handle themselves just fine, but there is always a chance of danger down the line.
The truly bad half of the smuggling ring might be dead, but the other players are a huge surprise. Or maybe not, depending on how closely viewers pay attention. Stella takes a lot more time than she should to discover who gets labeled the culprit. For a seasoned cop, credibility stretches a bit on this one. How many times does guilt extend to the least likely person? Oh wait. Stella is the woman who takes the word of a rape victim despite mounting evidence to the contrary. She even snaps at Det. Lindsay Monroe (Anna Belknap) for even suggesting a more logical approach to detecting. ("Open and Shut").
With only one more episode left in the season, the biggest surprise are still yet to come. Maybe. Early Internet chatter has more or less told anyone who wants to know just how the finale is set up. I'm not entirely convinced it's accurate, but what I read is hardly a complete shocker. Let me put it this way - the police department just might be affected in a whirling dervish with aftershocks felt for a long time to come.
Can also be found at Blogcritics.
TV Review CSI:NY "The Greater Good"
'http://notesfromnancy.blogspot.com
Blogarama
With only two more episodes left in the season past this, one would think the scripts would be potent. I agree, but this week's episode is a little lackluster. Yes, there were some guest stars who are well known by many. They only partially make up for the writing. Personally, I thought the substory is better viewing. There is a lighthearted feel to it which helps the show not be heavy handed.
Mac Taylor (Gary Sinise) is not a police officer who can simply let a matter go, even if it appears to be not a matter for his concern. Take the case of Adam Ross (AJ Buckley), for example. A long lasting budget crunch means some of the department is simply going to have to find other work. Since Adam is one of those who is hired last, he is on the short list for termination. Mac could have another month or so before he seeks out a new hire. Does this work? Of course not! He intervenes with the chief detective, Sinclair, played well by Mykelti Williamson, and buys time. So far, so good.
When a young woman is killed in a biking accident, the case looks pretty much cut and dried. Talmadge Neville (Charles S. Dutton) confesses, and all evidence points to his guilt. Eighteen months later, Mac finds him and thinks someone else might be responsible. Here's where the storyline runs into problems - only after Neville gets out of prison is when Mac decides he has the wrong guy? Time is skewed on television, I realize, but this is hard to swallow.
Sinise has long played a detective who is easily considered by plenty of others to be a workaholic, and does it nicely. He is charming every so often. Few are strong enough to call him out when he's wrong, but I like the way Eddie Cahill does.
With a pointed barb, Cahill shows off just how good he is when portraying Don Flack, the homicide detective who teams up with the crime lab week after week. For the sake of clarity, I probably should mention Flack (or any other homicide person) is most likely the one who confirms a death is suspicious. He then makes a request to have the crime lab team sent out. Mac knows which people are available for a fresh assignment. Only Flack could mention the insanity of Mac trying to resurrect a case on his day off. He says it in such a way that his head is not bitten off the way another person's might.
Oh yeah, Lindsay (Anna Belknap) has her baby! This might be an afterthought except for a good bit of sense towards the comic relief. When her water breaks, at work no less, poor Adam is forced into getting her to the hospital, quick. The horrified expression on Buckley's face as he realizes just how desperate the situation is makes me smile. I really enjoyed the bit as he runs the wrong way to get keys for a vehicle.
Carmine Giovinazzo also steps up to the plate as he plays Danny Messer, the husband and father who has life happening too fast. At least he has enough sense to let Hawkes (Hill Harper) drive straight to the emergency room. Actually, I think Hawkes grabbed the keys out of Danny's hand before two people got in trouble. Wise move.
By the time labor kicks to high gear, the entire gang is in the room. This illustrates well just how much this is a family, despite not being related in a genetic way. Although Adam and Hawkes are not at the wedding of Danny and Lindsay a short time ago, they make it this time. So does Flack. The most touching moment of the episode is when Mac is asked to be the godfather. Of course, he agrees.
I get the feeling the last two episodes are going to try and be edge of one's seat thrilling. Since there is a confirmed sixth season of CSI:NY, the pressure is off a little. The biggest moments will be in the finale, but there is already Internet speculation with regards to a potential character change come fall. While I tend to agree with what most are saying, I also think a few have jumped the gun. Therefore, I am holding off on assuming anything prior to airtime. With cop shows, it's possible for lots of different scenarios. Crime and otherwise.
The last episodes this season are May 13th and May 14th at 10pm. Although the finale is on the same day as the Vegas version of CSI, this also gives CBS time to wrap up one of their popular hits before the next presidential news conference.
Previously published at Blogcritics.
Blogarama
With only two more episodes left in the season past this, one would think the scripts would be potent. I agree, but this week's episode is a little lackluster. Yes, there were some guest stars who are well known by many. They only partially make up for the writing. Personally, I thought the substory is better viewing. There is a lighthearted feel to it which helps the show not be heavy handed.
Mac Taylor (Gary Sinise) is not a police officer who can simply let a matter go, even if it appears to be not a matter for his concern. Take the case of Adam Ross (AJ Buckley), for example. A long lasting budget crunch means some of the department is simply going to have to find other work. Since Adam is one of those who is hired last, he is on the short list for termination. Mac could have another month or so before he seeks out a new hire. Does this work? Of course not! He intervenes with the chief detective, Sinclair, played well by Mykelti Williamson, and buys time. So far, so good.
When a young woman is killed in a biking accident, the case looks pretty much cut and dried. Talmadge Neville (Charles S. Dutton) confesses, and all evidence points to his guilt. Eighteen months later, Mac finds him and thinks someone else might be responsible. Here's where the storyline runs into problems - only after Neville gets out of prison is when Mac decides he has the wrong guy? Time is skewed on television, I realize, but this is hard to swallow.
Sinise has long played a detective who is easily considered by plenty of others to be a workaholic, and does it nicely. He is charming every so often. Few are strong enough to call him out when he's wrong, but I like the way Eddie Cahill does.
With a pointed barb, Cahill shows off just how good he is when portraying Don Flack, the homicide detective who teams up with the crime lab week after week. For the sake of clarity, I probably should mention Flack (or any other homicide person) is most likely the one who confirms a death is suspicious. He then makes a request to have the crime lab team sent out. Mac knows which people are available for a fresh assignment. Only Flack could mention the insanity of Mac trying to resurrect a case on his day off. He says it in such a way that his head is not bitten off the way another person's might.
Oh yeah, Lindsay (Anna Belknap) has her baby! This might be an afterthought except for a good bit of sense towards the comic relief. When her water breaks, at work no less, poor Adam is forced into getting her to the hospital, quick. The horrified expression on Buckley's face as he realizes just how desperate the situation is makes me smile. I really enjoyed the bit as he runs the wrong way to get keys for a vehicle.
Carmine Giovinazzo also steps up to the plate as he plays Danny Messer, the husband and father who has life happening too fast. At least he has enough sense to let Hawkes (Hill Harper) drive straight to the emergency room. Actually, I think Hawkes grabbed the keys out of Danny's hand before two people got in trouble. Wise move.
By the time labor kicks to high gear, the entire gang is in the room. This illustrates well just how much this is a family, despite not being related in a genetic way. Although Adam and Hawkes are not at the wedding of Danny and Lindsay a short time ago, they make it this time. So does Flack. The most touching moment of the episode is when Mac is asked to be the godfather. Of course, he agrees.
I get the feeling the last two episodes are going to try and be edge of one's seat thrilling. Since there is a confirmed sixth season of CSI:NY, the pressure is off a little. The biggest moments will be in the finale, but there is already Internet speculation with regards to a potential character change come fall. While I tend to agree with what most are saying, I also think a few have jumped the gun. Therefore, I am holding off on assuming anything prior to airtime. With cop shows, it's possible for lots of different scenarios. Crime and otherwise.
The last episodes this season are May 13th and May 14th at 10pm. Although the finale is on the same day as the Vegas version of CSI, this also gives CBS time to wrap up one of their popular hits before the next presidential news conference.
Previously published at Blogcritics.
TV Review CSI:NY "Yahrzeit"
'http://notesfromnancy.blogspot.com
Blogarama
Season Five of CSI:NY has always promised to be a year of amazing storylines, both character and crimewise. After all, the is the Big apple being discussed. Anything which can happen generally does. This week is no exception. A top name guest star, a cameo by one well known character actor and a substory which relates the hidden message without conking viewers over the head with its importance.
First to the major guest star. Ed Asner is a jeweler with a secret. This is hardly news, since most characters who are part of a crime investigation do at some point or another. Let me back up a little. A man dies in the midst of an auction. Literally. The case leads Mac (Gary Sinise) to have a chat with Asner, who plays the role of Abraham. Now, out of all the guest stars, Asner is the most recognizable. It stands to reason the writers would not have him on to simply twiddle his thumbs.
Sinise and Asner play against each other well. The acting experience of both men is extensive, although there is not the same antagonism between the guises they assume as compared to the arrogance of Robert Dunbrook, played by Craig T. Nelson. From the first time Dunbrook greets the deputy chief of detectives at a charity function ("The Partys over"), one senses immediately he is going to be trouble. So does Mac. Dunbrook isn't the one who kills the deputy mayor, nor does he purposely kill the intruder who breaks into his office ("The Past, Present, and Murder"). The word choice on the last sentence was deliberate. Dunbrook plays another role the second time. The true identity of the baddie, however, is probably not a shock to this show's fans.
Abraham is different. He shows Mac a tattoo on his arm from his days in Auschwitz. Can he be believed? Asner is potentially old enough to at least have had relatives die there, even if he didn't. The sincere overtones in Asner's voice while recalling a time of religious persecution help seal the deal. Yes, he and the victim interact. By itself, this is hardly enough to take someone into custody. A perfectly reasonable explanation is offered, as a matter of fact. Abraham wants a piece of jewelry appraised, and the victim works at the auction house where he dies. Simple enough.
The scene when Mac discovers the truth is electrifying. Sinise tends to be at his best when he can come on strong, and there is not much stopping him. It's not the secret itself which is so surprising, but how it finally comes out. I'll put it this way - another character puts into words succinctly where to put the blame.
What is more compelling takes place with Dr. Sheldon Hawkes (Hill Harper). As the only person of color on the entire team, Hawkes stands out. Period. For most of three seasons, this has never been an issue. The former medical examiner brings his knowledge as a valuable aid. Even though he has never gone through the police academy, forensics is a good fit for someone with his skills. The level of caring he shows week to week makes him want to seek justice for the crime victims, and it's never a bad thing for people employed by the police department. This being said, there are those who do not feel the same way about Hawkes as his colleagues.
The focus of this storyline is racism. What beater way to deal with it than to bring back Michael Elgers, the neonazi implicated in a house explosion ("Green Piece")? Matt McTighe really makes his persona loathsome this time as he displays complete and utter ignorance. For Mac and Det. Don Flack (Eddie Cahill), they handle Elgers by failing to respond to his taunts. Also, they will wait on evidence before they haul him in. No need to waste the paperwork.
So who takes Elger's bait? Det. Danny Messer (Carmine Giovinazzo), naturally. Giovinazzo has played the role of his street smart cop well ever since coming on screen five seasons ago. The same rough edges Danny has with his colleagues help him to understand the criminal mentality. Considering his older brother, Louie, is a man with ties to a gang ("Run Silent Run Deep"), it's amazing Danny has stayed on the legal side of the law for so long. Becoming a cop has been one of his greatest achievements.
Still. More than once, Giovinazzo is required to get Danny into trouble by not exactly following proper procedure. The last time is dangerous as he runs after a ruthless killer without a bulletproof vest ("The Point of No Return"). Mac tends to stand behind Danny, although he cannot professionally approve of his actions. I have to hand it to the writers, they have Sinise remain calm as he reminds Giovinazzo even the worst offender is allowed the same rights as any other citizen.
The earlier scene by Giovinazzo and Harper is much more revealing. Harper shows his strength by saying the problem of judging another by the color of his or her skin is just that, but someone else's. Who would go willingly into the comfort zone of hatred? Giovinazzo is simmering just below the surface while talking to McTighe, but Harper is pretty much cool as a cucumber. Anger, though, can be felt without ever showing it on one's face.
Giovinazzo and Harper are a decent team on their own. It's not the same as the one with Cahill, but it shouldn't be. When Hawkes loses a favorite uncle to a heart attack, Danny is the one reassuring. Giovinazzo channels sympathy well, and perhaps even a reminder in the back of his head when Danny saw Louie in a coma ("Run Silent Run Deep"). Harper is clearly shaken, and it fits.
Before this episode starts, a warning is given so viwers can use their own discretion as to whether it should be seen. I have to agree with the decision. Since this is at an hour right before the news, one can expect more than a little bit of grit each week. Crime is messy, and those involved have complicated lives. So do the ones who investigate. In a single show, though, CSI:NY brings front and center an issue (or two) which some may find uncomfortable.
Three more episodes are left in the season. Lindsay (Anna Belknap) should return to work at some point, having been home in Montana on materninty leave. Stella (Melina Kanakaredes) has a new man in her life, but he may or may not be back. Sometimes things get set on the back burner to simmer a bit longer before they show up again.
The Greek smuggling ring storyliine has gone throuh more than a few episodes, and perhaps it will be over and done by finale's end. It should be. When the guy who attacked Stella in the tunnel turned up dead ("Point of No Return"), an end would have been fitting. No such luck. Mac is now trying to figure out who killed him. Is the Greek Ambassador involved? Maybe, but he has avoided implication thus far.
Craig T. Nelson has one episode left on his contract. To see the sizzling chemistry between Nelson and Sinise is interesting to watch, but I think most viewers will enjoy the fresh air once Dunbrook goes for good.
The finale, by the way, has been moved to May 14th at 10pm, right behind CSI:Crime Scene Investigation. While this should boost ratings, more than likely Sinise and company will have a Season Six. Oh, rumors suggest one less person makes it there. All I can say for sure is a well known character is affected. I won't even try to guess, but chances are, Sinise isn't it.
Why not? The lead role tends to stay until the series finale. Most of the time, anyway. Lose the main person, there goes the the show. While this is not called the Mac Taylor show, he's easily picked out as the lead actor. Not only does he carry many of the scenes, he has most of the lines.
The thrills of the Big Apple crime fighting team are most likely not over yet. Keep watching....
Also can be found at Blogcritics.
Blogarama
Season Five of CSI:NY has always promised to be a year of amazing storylines, both character and crimewise. After all, the is the Big apple being discussed. Anything which can happen generally does. This week is no exception. A top name guest star, a cameo by one well known character actor and a substory which relates the hidden message without conking viewers over the head with its importance.
First to the major guest star. Ed Asner is a jeweler with a secret. This is hardly news, since most characters who are part of a crime investigation do at some point or another. Let me back up a little. A man dies in the midst of an auction. Literally. The case leads Mac (Gary Sinise) to have a chat with Asner, who plays the role of Abraham. Now, out of all the guest stars, Asner is the most recognizable. It stands to reason the writers would not have him on to simply twiddle his thumbs.
Sinise and Asner play against each other well. The acting experience of both men is extensive, although there is not the same antagonism between the guises they assume as compared to the arrogance of Robert Dunbrook, played by Craig T. Nelson. From the first time Dunbrook greets the deputy chief of detectives at a charity function ("The Partys over"), one senses immediately he is going to be trouble. So does Mac. Dunbrook isn't the one who kills the deputy mayor, nor does he purposely kill the intruder who breaks into his office ("The Past, Present, and Murder"). The word choice on the last sentence was deliberate. Dunbrook plays another role the second time. The true identity of the baddie, however, is probably not a shock to this show's fans.
Abraham is different. He shows Mac a tattoo on his arm from his days in Auschwitz. Can he be believed? Asner is potentially old enough to at least have had relatives die there, even if he didn't. The sincere overtones in Asner's voice while recalling a time of religious persecution help seal the deal. Yes, he and the victim interact. By itself, this is hardly enough to take someone into custody. A perfectly reasonable explanation is offered, as a matter of fact. Abraham wants a piece of jewelry appraised, and the victim works at the auction house where he dies. Simple enough.
The scene when Mac discovers the truth is electrifying. Sinise tends to be at his best when he can come on strong, and there is not much stopping him. It's not the secret itself which is so surprising, but how it finally comes out. I'll put it this way - another character puts into words succinctly where to put the blame.
What is more compelling takes place with Dr. Sheldon Hawkes (Hill Harper). As the only person of color on the entire team, Hawkes stands out. Period. For most of three seasons, this has never been an issue. The former medical examiner brings his knowledge as a valuable aid. Even though he has never gone through the police academy, forensics is a good fit for someone with his skills. The level of caring he shows week to week makes him want to seek justice for the crime victims, and it's never a bad thing for people employed by the police department. This being said, there are those who do not feel the same way about Hawkes as his colleagues.
The focus of this storyline is racism. What beater way to deal with it than to bring back Michael Elgers, the neonazi implicated in a house explosion ("Green Piece")? Matt McTighe really makes his persona loathsome this time as he displays complete and utter ignorance. For Mac and Det. Don Flack (Eddie Cahill), they handle Elgers by failing to respond to his taunts. Also, they will wait on evidence before they haul him in. No need to waste the paperwork.
So who takes Elger's bait? Det. Danny Messer (Carmine Giovinazzo), naturally. Giovinazzo has played the role of his street smart cop well ever since coming on screen five seasons ago. The same rough edges Danny has with his colleagues help him to understand the criminal mentality. Considering his older brother, Louie, is a man with ties to a gang ("Run Silent Run Deep"), it's amazing Danny has stayed on the legal side of the law for so long. Becoming a cop has been one of his greatest achievements.
Still. More than once, Giovinazzo is required to get Danny into trouble by not exactly following proper procedure. The last time is dangerous as he runs after a ruthless killer without a bulletproof vest ("The Point of No Return"). Mac tends to stand behind Danny, although he cannot professionally approve of his actions. I have to hand it to the writers, they have Sinise remain calm as he reminds Giovinazzo even the worst offender is allowed the same rights as any other citizen.
The earlier scene by Giovinazzo and Harper is much more revealing. Harper shows his strength by saying the problem of judging another by the color of his or her skin is just that, but someone else's. Who would go willingly into the comfort zone of hatred? Giovinazzo is simmering just below the surface while talking to McTighe, but Harper is pretty much cool as a cucumber. Anger, though, can be felt without ever showing it on one's face.
Giovinazzo and Harper are a decent team on their own. It's not the same as the one with Cahill, but it shouldn't be. When Hawkes loses a favorite uncle to a heart attack, Danny is the one reassuring. Giovinazzo channels sympathy well, and perhaps even a reminder in the back of his head when Danny saw Louie in a coma ("Run Silent Run Deep"). Harper is clearly shaken, and it fits.
Before this episode starts, a warning is given so viwers can use their own discretion as to whether it should be seen. I have to agree with the decision. Since this is at an hour right before the news, one can expect more than a little bit of grit each week. Crime is messy, and those involved have complicated lives. So do the ones who investigate. In a single show, though, CSI:NY brings front and center an issue (or two) which some may find uncomfortable.
Three more episodes are left in the season. Lindsay (Anna Belknap) should return to work at some point, having been home in Montana on materninty leave. Stella (Melina Kanakaredes) has a new man in her life, but he may or may not be back. Sometimes things get set on the back burner to simmer a bit longer before they show up again.
The Greek smuggling ring storyliine has gone throuh more than a few episodes, and perhaps it will be over and done by finale's end. It should be. When the guy who attacked Stella in the tunnel turned up dead ("Point of No Return"), an end would have been fitting. No such luck. Mac is now trying to figure out who killed him. Is the Greek Ambassador involved? Maybe, but he has avoided implication thus far.
Craig T. Nelson has one episode left on his contract. To see the sizzling chemistry between Nelson and Sinise is interesting to watch, but I think most viewers will enjoy the fresh air once Dunbrook goes for good.
The finale, by the way, has been moved to May 14th at 10pm, right behind CSI:Crime Scene Investigation. While this should boost ratings, more than likely Sinise and company will have a Season Six. Oh, rumors suggest one less person makes it there. All I can say for sure is a well known character is affected. I won't even try to guess, but chances are, Sinise isn't it.
Why not? The lead role tends to stay until the series finale. Most of the time, anyway. Lose the main person, there goes the the show. While this is not called the Mac Taylor show, he's easily picked out as the lead actor. Not only does he carry many of the scenes, he has most of the lines.
The thrills of the Big Apple crime fighting team are most likely not over yet. Keep watching....
Also can be found at Blogcritics.
Sunday, May 17, 2009
Washington Laugh Riot
'http://notesfromnancy.blogspot.com
Blogarama
Nancy Pelosi has stuck her foot in her mouth again. Or so some say. Why? She said the CIA in essence lied about the use of waterboarding to Congress. Naturally, the media jumped all over it.
I have to laugh. CIA and other agencies in the intelligence game are, by design, liars. They have to be. It's a safety thing, so disguises and cover stories get used for increasing the chance of getting good information. What can be proven right.
Analysts are slightly different. They look at stuff to see what is truth and what is , you guessed it, lies.
So the problem IS?
Blogarama
Nancy Pelosi has stuck her foot in her mouth again. Or so some say. Why? She said the CIA in essence lied about the use of waterboarding to Congress. Naturally, the media jumped all over it.
I have to laugh. CIA and other agencies in the intelligence game are, by design, liars. They have to be. It's a safety thing, so disguises and cover stories get used for increasing the chance of getting good information. What can be proven right.
Analysts are slightly different. They look at stuff to see what is truth and what is , you guessed it, lies.
So the problem IS?
Monday, April 06, 2009
TV Review: CSI:NY "Communication Breakdown"
'http://notesfromnancy.blogspot.com
Blogarama
New York has always been a place of multiple ethnicities, languages, cultures, and people. While this is true of any large city, the Big Apple seems especially conducive to making a melting pot of it all. One place to find that trend is on a train. After all, everybody uses one at some point or another.
It's been a while since a train was part of the main storyline ("Murder Sings the Blues"). Dr. Sheldon Hawkes (Hill Harper) found himself bumped off the case this week because he had a personal connection to the victim. It was only a chance encounter, but Mac (Gary Sinise) knew any case which is potentially compromised has a slim chance of a conviction in court. This week, Det. Danny Messer (Carmine Giovinazzo) caught a ride home once on a subway, only to find a dead body lying across the tracks. Do the words "Subway surfing" ring a bell ("Risk")? After Season Four's multi-episode arc focused on a killer who used a taxicab as a death machine ("Taxi"), it stand to reason that a train was about due for a part in a script.
An arrest in the first ten minutes is an immediate clue that the person is not going to be guilty of a crime. Why? It's too easy. Police procedurals tend to take the entire hour for all the pieces to come together so the right person can be hauled in for questioning and later taken into custody. Besides, this show relies a good deal on an interrogation in the fifteen minutes before the closing credits fade out.
Several good partnerships were at work this week. Hawkes and Dr. Sid Hammerback (Robert Joy) got to work an autopsy together. I especially enjoyed the virtual x-ray of the intestines so Sid would know exactly where to cut without having to go all the way through their length. It's a perfect blend of science and technology at work. Watching Joy and Harper in the same scene is seeing two good friends combine their talent for finding the truth with some good old fashioned quirk.
I also enjoyed the translator Det. Don Flack (Eddie Cahill) had on his phone. Nice nod to the iPhone app! It's a clever way to gain information without having to deploy extra personnel to the scene.
Anna Belknap was still out of the picture this week, although the scenes about Danny trying to figure out boy names was a sweet touch. The best part was having him find out they are having a girl! Oops. The camaraderie between Danny, Hawkes, Adam (AJ Buckley), and Flack is solid, and cops, after all, are family. Watching them have a laugh together only reinforces the concept.
I appreciated the breather of not dealing with the Greek coin storyline. It deserves an hour all to itself. Mac has not yet put the involvement of Det. Stella Bonasera (Melina Kanakaredes) in the picture, and there should be an explosion when he does. To be fair, she did not kill her attacker. Angell did most of the work anyway. Now then, does this exonerate her? Not completely. Mac did say for her to stand down. He said nothing about someone else being involved. I thought Flack might have started to pick up something about Angell's work, but I could be wrong. Could the underhandedness of their operation comeback to haunt them later? Perhaps, There have been hints of more people who would gladly kill in order to protect their secret. So far, no names have been released. Who knows, the ambassador himself could be involved. I doubt that, only because Stella would have figured it out long ago. Besides, it seems to me to push credibility too far.
Det. Jessica Angell (Emmanuelle Vaugier) returned this week to help with an investigation. She and Flack are a good team on and off the job. These two are both what one would expect in a New York cop, with street smarts and not willing to take what anyone says at face value. Whoever put the reference to NYPD Blue into this week's episode should be considered a genius. Cahill is well known for witty lines, so the nod to a popular cop show is nice to see. Now, how long is it going to take before one of the cast members of that show makes a guest appearance on this television drama? More than a few actors would work well here.
Speaking of, how about another crossover episode? It has worked before with CSI:Miami. David Caruso helped to find an escaped prisoner ("Manhattan Manhunt"). Only the two leads appeared on the other show, but it worked just fine. Criminal Minds might also be a good choice, since it airs the hour before CSI:NY. There would be no need for viewers to wait for the ending. My personal choice would be NCIS, though. With Mac Taylor as a Marine, a visit from the Navy crime scene team is a reasonable suggestion. Seeing Mark Harmon, who plays Agt. Gibbs, a Marine himself, interact with Gary Sinise, might just make for some potent fireworks.
A new episode does not look like it will appear until April 8th or so. More than likely, a repeat is in the works for next time. Since this show tends to have its finale in May, going straight through until then doesn't usually work well.
Also at Blogcritics
Blogarama
New York has always been a place of multiple ethnicities, languages, cultures, and people. While this is true of any large city, the Big Apple seems especially conducive to making a melting pot of it all. One place to find that trend is on a train. After all, everybody uses one at some point or another.
It's been a while since a train was part of the main storyline ("Murder Sings the Blues"). Dr. Sheldon Hawkes (Hill Harper) found himself bumped off the case this week because he had a personal connection to the victim. It was only a chance encounter, but Mac (Gary Sinise) knew any case which is potentially compromised has a slim chance of a conviction in court. This week, Det. Danny Messer (Carmine Giovinazzo) caught a ride home once on a subway, only to find a dead body lying across the tracks. Do the words "Subway surfing" ring a bell ("Risk")? After Season Four's multi-episode arc focused on a killer who used a taxicab as a death machine ("Taxi"), it stand to reason that a train was about due for a part in a script.
An arrest in the first ten minutes is an immediate clue that the person is not going to be guilty of a crime. Why? It's too easy. Police procedurals tend to take the entire hour for all the pieces to come together so the right person can be hauled in for questioning and later taken into custody. Besides, this show relies a good deal on an interrogation in the fifteen minutes before the closing credits fade out.
Several good partnerships were at work this week. Hawkes and Dr. Sid Hammerback (Robert Joy) got to work an autopsy together. I especially enjoyed the virtual x-ray of the intestines so Sid would know exactly where to cut without having to go all the way through their length. It's a perfect blend of science and technology at work. Watching Joy and Harper in the same scene is seeing two good friends combine their talent for finding the truth with some good old fashioned quirk.
I also enjoyed the translator Det. Don Flack (Eddie Cahill) had on his phone. Nice nod to the iPhone app! It's a clever way to gain information without having to deploy extra personnel to the scene.
Anna Belknap was still out of the picture this week, although the scenes about Danny trying to figure out boy names was a sweet touch. The best part was having him find out they are having a girl! Oops. The camaraderie between Danny, Hawkes, Adam (AJ Buckley), and Flack is solid, and cops, after all, are family. Watching them have a laugh together only reinforces the concept.
I appreciated the breather of not dealing with the Greek coin storyline. It deserves an hour all to itself. Mac has not yet put the involvement of Det. Stella Bonasera (Melina Kanakaredes) in the picture, and there should be an explosion when he does. To be fair, she did not kill her attacker. Angell did most of the work anyway. Now then, does this exonerate her? Not completely. Mac did say for her to stand down. He said nothing about someone else being involved. I thought Flack might have started to pick up something about Angell's work, but I could be wrong. Could the underhandedness of their operation comeback to haunt them later? Perhaps, There have been hints of more people who would gladly kill in order to protect their secret. So far, no names have been released. Who knows, the ambassador himself could be involved. I doubt that, only because Stella would have figured it out long ago. Besides, it seems to me to push credibility too far.
Det. Jessica Angell (Emmanuelle Vaugier) returned this week to help with an investigation. She and Flack are a good team on and off the job. These two are both what one would expect in a New York cop, with street smarts and not willing to take what anyone says at face value. Whoever put the reference to NYPD Blue into this week's episode should be considered a genius. Cahill is well known for witty lines, so the nod to a popular cop show is nice to see. Now, how long is it going to take before one of the cast members of that show makes a guest appearance on this television drama? More than a few actors would work well here.
Speaking of, how about another crossover episode? It has worked before with CSI:Miami. David Caruso helped to find an escaped prisoner ("Manhattan Manhunt"). Only the two leads appeared on the other show, but it worked just fine. Criminal Minds might also be a good choice, since it airs the hour before CSI:NY. There would be no need for viewers to wait for the ending. My personal choice would be NCIS, though. With Mac Taylor as a Marine, a visit from the Navy crime scene team is a reasonable suggestion. Seeing Mark Harmon, who plays Agt. Gibbs, a Marine himself, interact with Gary Sinise, might just make for some potent fireworks.
A new episode does not look like it will appear until April 8th or so. More than likely, a repeat is in the works for next time. Since this show tends to have its finale in May, going straight through until then doesn't usually work well.
Also at Blogcritics
TV Review: CSI:NY "Point Of No Return"
'http://notesfromnancy.blogspot.com
Blogarama
"Oh how the mighty have fallen!" That would be one way to describe the latest episode of CSI:NY, but it falls far from the true definition of just how powerful the episode is. In part, the intricacies are fairly simple. After all, the formula for a crime show is standard. Have crime, solve case. Easy, right? Well, almost. The complications in this case come from who is behind the lawbreaking and how the baddie committed it.
Mac Taylor (Gary Sinise) has been a cop long enough to know nothing can be taken for granted. Through the better part of five seasons he has been trying to impart wisdom to those whom he works with most. Wait on evidence before any suspect gets arrested, just in case the person is not actually guilty. Most importantly though, never, ever, think someone cannot possibly have done something wrong. Crime is not hard, the trick is not to get caught. Most people are, which deters others not one whit.
After a woman is found dead in a hotel room, the shocker is her relationship to the department. She is Anabel Pino (Holly Lynch), wife of Marty Pino (Jonah Lotan). Marty was first seen back in season two when Dr. Sheldon Hawkes (Hill Harper) left the Medical Examiner's office and joined the crime lab. Before Sid Hammerback (Robert Joy) got hired as the new department head, a couple of folks filled the gap. The writers got creative and decided to make an episode about a character long gone from regular appearances, but who still lives in memory.
Det. Don Flack (Eddie Cahill) tells Marty the bad news, and sees if clues come up in conversation to help solve Anabel's messy death. It doesn't help Marty's case, since the young doctor was fired for unprofessional conduct. His grief though is palpable, which Hawkes, watching from the hallway, picks up on. I have to hand it to Cahill and Harper for the ensuing conversation. Harper shows just how much his character cares for a person going through the worst pain imaginable. Cahill, on the other hand, takes on the role of a cop not willing to put aside the possibility of wrongdoing on the basis of a friendship alone.
Flack, of all people, knows better. A while back, he had to watch Mac arrest a fellow officer, Dean Truby, for homicide. That was bad enough. To make matters worse, Truby stole narcotics from the scene of a drug raid ("Consequences"). Did he take Mac's word for it? Not a chance! He found out for himself after a jailhouse interview with the guy they arrested. He reminds Hawkes about getting proof, but Marty has to remain a suspect until the truth comes.
The reality, such as it is, is a shocker. Anabel has died as a result of what Marty got himself into. Suffice to say, he takes a coward's way out. While his actions are inexcusable, there is no denying that he needs serious help. Jonah Lotan gets serious kudos for his portrayal of a troubled soul. I could feel his desperation through every scene. The entire episode has a plot which viewers are going to think over for a long time. Did Marty do wrong? Of course. Then again, what he did was different from most criminals. The ethics of human life are not always black and white.
Robert Joy has a tough role to play in this episode as well. He faces the enormous burden of seeing a young man he respects show off a darker side. Marty must be held accountable for what he does, but the pain left behind is far greater. I would have been interested to see this storyline play out more. Lotan does not have to return, but other cast members could mention Marty from time to time. Considering that there are six shows left in the season, this is not entirely unreasonable.
Another storyline rears its head this week. Det. Stella Bonasera (Melina Kanakaredes) has not stepped aside from her Greek coin case, despite being ordered to by Mac. She and Jessica Angell (Emmanuelle Vaugier) decide it is time to get answers, like where the guy is who attacked Stella in a subway tunnel ("The Cost of Living"). Forget the fact that the nogoodnik has diplomatic immunity, Stella intends to make him pay. As fate would have it, somebody else gets to him first. Mac takes over after the Major Crimes Department asks for help, but he has yet to realize Stella went behind his back.
I would have thought Mac might have figured things out by the time he calls Stella into his office. Apparently not, but somehow I doubt writers are stupid enough to have her tip off someone about a death she is not supposed to be anywhere near. She's smarter than that. Then again, she pulls Angell into the fray. Let's see, who will be more annoyed, Mac or Flack?
Season Five appears to be relying on a few storylines to get through its season. Lindsay (Anna Belknap) is now on maternity leave, which puts her in Montana for what should be several more episodes. What should have been the end of Stella's sub story will go on for more weeks down the road. Adam Ross (AJ Buckley) is still on the payroll, but who knows for how long? I'm not suggesting anybody fire Adam, but the status of New York's quirkiest lab tech is in the air. He has proven his worth though, which just might keep him employed.
Speaking of future episodes, there is already talk about what could be happening in the finale. It seems the Big Apple crime lab may lose another family member. Speculation as to who is all over the map, so I am not going to guess. However, I would caution any reader to expand the definition of family by including characters who have made any sort of impact on the show. Those already deceased can probably be left out though.
Previously published on Blogcritics.
Blogarama
"Oh how the mighty have fallen!" That would be one way to describe the latest episode of CSI:NY, but it falls far from the true definition of just how powerful the episode is. In part, the intricacies are fairly simple. After all, the formula for a crime show is standard. Have crime, solve case. Easy, right? Well, almost. The complications in this case come from who is behind the lawbreaking and how the baddie committed it.
Mac Taylor (Gary Sinise) has been a cop long enough to know nothing can be taken for granted. Through the better part of five seasons he has been trying to impart wisdom to those whom he works with most. Wait on evidence before any suspect gets arrested, just in case the person is not actually guilty. Most importantly though, never, ever, think someone cannot possibly have done something wrong. Crime is not hard, the trick is not to get caught. Most people are, which deters others not one whit.
After a woman is found dead in a hotel room, the shocker is her relationship to the department. She is Anabel Pino (Holly Lynch), wife of Marty Pino (Jonah Lotan). Marty was first seen back in season two when Dr. Sheldon Hawkes (Hill Harper) left the Medical Examiner's office and joined the crime lab. Before Sid Hammerback (Robert Joy) got hired as the new department head, a couple of folks filled the gap. The writers got creative and decided to make an episode about a character long gone from regular appearances, but who still lives in memory.
Det. Don Flack (Eddie Cahill) tells Marty the bad news, and sees if clues come up in conversation to help solve Anabel's messy death. It doesn't help Marty's case, since the young doctor was fired for unprofessional conduct. His grief though is palpable, which Hawkes, watching from the hallway, picks up on. I have to hand it to Cahill and Harper for the ensuing conversation. Harper shows just how much his character cares for a person going through the worst pain imaginable. Cahill, on the other hand, takes on the role of a cop not willing to put aside the possibility of wrongdoing on the basis of a friendship alone.
Flack, of all people, knows better. A while back, he had to watch Mac arrest a fellow officer, Dean Truby, for homicide. That was bad enough. To make matters worse, Truby stole narcotics from the scene of a drug raid ("Consequences"). Did he take Mac's word for it? Not a chance! He found out for himself after a jailhouse interview with the guy they arrested. He reminds Hawkes about getting proof, but Marty has to remain a suspect until the truth comes.
The reality, such as it is, is a shocker. Anabel has died as a result of what Marty got himself into. Suffice to say, he takes a coward's way out. While his actions are inexcusable, there is no denying that he needs serious help. Jonah Lotan gets serious kudos for his portrayal of a troubled soul. I could feel his desperation through every scene. The entire episode has a plot which viewers are going to think over for a long time. Did Marty do wrong? Of course. Then again, what he did was different from most criminals. The ethics of human life are not always black and white.
Robert Joy has a tough role to play in this episode as well. He faces the enormous burden of seeing a young man he respects show off a darker side. Marty must be held accountable for what he does, but the pain left behind is far greater. I would have been interested to see this storyline play out more. Lotan does not have to return, but other cast members could mention Marty from time to time. Considering that there are six shows left in the season, this is not entirely unreasonable.
Another storyline rears its head this week. Det. Stella Bonasera (Melina Kanakaredes) has not stepped aside from her Greek coin case, despite being ordered to by Mac. She and Jessica Angell (Emmanuelle Vaugier) decide it is time to get answers, like where the guy is who attacked Stella in a subway tunnel ("The Cost of Living"). Forget the fact that the nogoodnik has diplomatic immunity, Stella intends to make him pay. As fate would have it, somebody else gets to him first. Mac takes over after the Major Crimes Department asks for help, but he has yet to realize Stella went behind his back.
I would have thought Mac might have figured things out by the time he calls Stella into his office. Apparently not, but somehow I doubt writers are stupid enough to have her tip off someone about a death she is not supposed to be anywhere near. She's smarter than that. Then again, she pulls Angell into the fray. Let's see, who will be more annoyed, Mac or Flack?
Season Five appears to be relying on a few storylines to get through its season. Lindsay (Anna Belknap) is now on maternity leave, which puts her in Montana for what should be several more episodes. What should have been the end of Stella's sub story will go on for more weeks down the road. Adam Ross (AJ Buckley) is still on the payroll, but who knows for how long? I'm not suggesting anybody fire Adam, but the status of New York's quirkiest lab tech is in the air. He has proven his worth though, which just might keep him employed.
Speaking of future episodes, there is already talk about what could be happening in the finale. It seems the Big Apple crime lab may lose another family member. Speculation as to who is all over the map, so I am not going to guess. However, I would caution any reader to expand the definition of family by including characters who have made any sort of impact on the show. Those already deceased can probably be left out though.
Previously published on Blogcritics.
TV Review: CSI:NY "Green Piece"
'http://notesfromnancy.blogspot.com
Blogarama
Leave it to CSI:NY to open an episode with a bang. After a house explodes, Mac Taylor (Gary Sinise) and crew must pick up the pieces. Good thing Adam Ross (AJ Buckley) is playing street hockey nearby — he helps a man out of the rubble, a man who plays a bigger role than people realize.
For once, Buckley gets airtime for more than his typical lab routine. Viewers see his versatility, which is always nice. I like his getting hurt, it's the nature of police work. Besides, the scene looks odd if nobody has an injury. The house explodes, how does everyone in the immediate vicinity walk away without a scratch? Yes, the focus of the main episode is nothing new, but even so, the twists and turns are classic for this show.
The last time people saw the Feds and NYPD work together, an ATF agent attempted to prove a point about preparation for a large scale emergency ("Charge of This Post"). Granted, the response was different then. More lives were in danger instead of cops only arriving on scene after the fact. Still, Det. Don Flack (Eddie Cahill) understands that extra hands are crucial to getting the case solved. Why? Federal agencies have greater resources and a larger jurisdiction.
Cahill shows disbelief at the FBI agent's promise of help at first, which makes sense. Something has been rotten in Denmark ever since a cipher was stolen out of the evidence room long ago ("Sex, Lies, and Silicone"). This time, though, there is more at stake than turf wars. A Timothy McVeigh wannabe is someone to be taken seriously. Everyone gets that.
Whoever cast the role of Mr. Mayhem did a brilliant job. Sinise perfectly shows off his skill at intimidation without compromising police standards. I kept waiting for the eco-terrorist leader to spit in Mac's face. He doesn't, which says a lot for Mac's questioning abilities. The interrogation once the case concluded is a treat for the ears. The two actors are in sync as they each vow to continue their jobs. Could this be a continuing storyline? Perhaps not this season, but next would be good. Hmmm.... Shane Casey (Edward Furlong), who went to prison on a misguided brotherly mission ("Raising Shane"), and Mayhem could team up nicely.
The diction on the part of some of the actors could improve a bit. Stella (Melina Kanakaredes) talks about a person detonating a bomb with the pronunciation as 'bow mur'. Whoops! Major difference. What she meant is easy to figure out, but this show is taped. Splicing things together correctly would be helpful.
Dr. Sheldon Hawkes (Hill Harper) finally says out loud how his role is defined — a crime scene investigator. Okay. So why is he acting like a cop? Last time I checked, that role generally involves the police academy. Adam doubtless does not appreciate the blurring of lines. After Hawkes asks if Adam had blown up the house, the look of shock is just the right touch from Buckley. Yes, Hawkes is teasing. I winced anyway. Whoever is in the props department might want to consider putting that badge Hawkes wears on the other side of his body, btw. The distinction would be appreciated.
Oh yes, Danny (Carmine Giovinazzo) and Lindsay (Anna Belknap) have now tied the knot. This has been coming for a while, but the question of whether she would become a permanent part of the rough edged cop's life makes for good viewing. Longtime fans will appreciate the clips of Lindsay's first appearance on the show. Mac and Stella waiting at the city clerk's office is perfect. Flack, Hawkes, and Adam not being does not mean much. Someone has to keep an eye on things back at the station.
also on Blogcritics.
Blogarama
Leave it to CSI:NY to open an episode with a bang. After a house explodes, Mac Taylor (Gary Sinise) and crew must pick up the pieces. Good thing Adam Ross (AJ Buckley) is playing street hockey nearby — he helps a man out of the rubble, a man who plays a bigger role than people realize.
For once, Buckley gets airtime for more than his typical lab routine. Viewers see his versatility, which is always nice. I like his getting hurt, it's the nature of police work. Besides, the scene looks odd if nobody has an injury. The house explodes, how does everyone in the immediate vicinity walk away without a scratch? Yes, the focus of the main episode is nothing new, but even so, the twists and turns are classic for this show.
The last time people saw the Feds and NYPD work together, an ATF agent attempted to prove a point about preparation for a large scale emergency ("Charge of This Post"). Granted, the response was different then. More lives were in danger instead of cops only arriving on scene after the fact. Still, Det. Don Flack (Eddie Cahill) understands that extra hands are crucial to getting the case solved. Why? Federal agencies have greater resources and a larger jurisdiction.
Cahill shows disbelief at the FBI agent's promise of help at first, which makes sense. Something has been rotten in Denmark ever since a cipher was stolen out of the evidence room long ago ("Sex, Lies, and Silicone"). This time, though, there is more at stake than turf wars. A Timothy McVeigh wannabe is someone to be taken seriously. Everyone gets that.
Whoever cast the role of Mr. Mayhem did a brilliant job. Sinise perfectly shows off his skill at intimidation without compromising police standards. I kept waiting for the eco-terrorist leader to spit in Mac's face. He doesn't, which says a lot for Mac's questioning abilities. The interrogation once the case concluded is a treat for the ears. The two actors are in sync as they each vow to continue their jobs. Could this be a continuing storyline? Perhaps not this season, but next would be good. Hmmm.... Shane Casey (Edward Furlong), who went to prison on a misguided brotherly mission ("Raising Shane"), and Mayhem could team up nicely.
The diction on the part of some of the actors could improve a bit. Stella (Melina Kanakaredes) talks about a person detonating a bomb with the pronunciation as 'bow mur'. Whoops! Major difference. What she meant is easy to figure out, but this show is taped. Splicing things together correctly would be helpful.
Dr. Sheldon Hawkes (Hill Harper) finally says out loud how his role is defined — a crime scene investigator. Okay. So why is he acting like a cop? Last time I checked, that role generally involves the police academy. Adam doubtless does not appreciate the blurring of lines. After Hawkes asks if Adam had blown up the house, the look of shock is just the right touch from Buckley. Yes, Hawkes is teasing. I winced anyway. Whoever is in the props department might want to consider putting that badge Hawkes wears on the other side of his body, btw. The distinction would be appreciated.
Oh yes, Danny (Carmine Giovinazzo) and Lindsay (Anna Belknap) have now tied the knot. This has been coming for a while, but the question of whether she would become a permanent part of the rough edged cop's life makes for good viewing. Longtime fans will appreciate the clips of Lindsay's first appearance on the show. Mac and Stella waiting at the city clerk's office is perfect. Flack, Hawkes, and Adam not being does not mean much. Someone has to keep an eye on things back at the station.
also on Blogcritics.
Tuesday, January 27, 2009
Book Review The Last Days of Krypton by Kevin J. Anderson
'http://notesfromnancy.blogspot.com
Blogarama
Everybody knows the story of Superman, right? He came to Earth in a capsule to land in a field. Jonathan and Martha Kent found him and raised him as their own. The concept is simple enough. However, questions remain.
Kevin J. Anderson attempts to provide clarity in his book Last Days of Krypton. Whether or not he succeeded is up to readers. Some will be convinced of everything which takes place. Others may take issue with a word, sentence, or paragraph and refuse to believe any of it. Science Fiction allows for doubt, and invites exploration.
The Man of Steel legend aside, this work focuses on his parents and how they faced one of the most difficult decisions imaginable. First things first though. When talking about characters, readers have to be properly introduced. The clarity is appreciated.
Lara first met Jor-El when her family was hired to work on Jor-El's house. As artists, they have both the eye and the skill to make an ordinary building into a masterpiece. Little did they know how much of an impact would be made to future events.
Can you imagine, seeing your future husband trapped in an alternative reality? I have to hand it to Lara, she stayed with the situation although she has the creative gene rather than the scientific one. The pair was required to become a team in order to set Jor-El free. However, this was also mild compared to the political mess brewing from outside.
Superman devotees will recognize Commander Zod, the bureaucrat whose inexhuastible need for power is greater than ethical considerations. Talk about a compelling character. He schemes without regard for implications down the road. What happens if somebody else catches wind of the destruction he plans? Put it this way, it's not pretty. The man has no conscience or morals. All he wants is to be a ruler over everything. Forget leading by example, Zod is nothing to live up to.
Continuing with the villian lineup, Brainiac also makes an appearance. Anderson takes the character and shows a different side. A robot? Yes, although not quite what one would expect. Remember, Clark Kent and his super powers have yet to arrive on Earth. The novel is the stuff prior, which sent Superman on his journey downward into Jonathan and Martha Kent's arms.
Obviously, the Justice League is not part of this picture. The story is about one man and how he came to be. I should warn readers, it's over four hundred pages long. Not an item which can be completed in one sitting.
Perhaps even more compelling than the story itself is the front cover. Right smack in the middle is a glowing green "S". Due to scientific genius, this is a holgram! The capital letter jumps off the page and appears to be breaking up just a bit.
also published on blogcritics.
Blogarama
Everybody knows the story of Superman, right? He came to Earth in a capsule to land in a field. Jonathan and Martha Kent found him and raised him as their own. The concept is simple enough. However, questions remain.
Kevin J. Anderson attempts to provide clarity in his book Last Days of Krypton. Whether or not he succeeded is up to readers. Some will be convinced of everything which takes place. Others may take issue with a word, sentence, or paragraph and refuse to believe any of it. Science Fiction allows for doubt, and invites exploration.
The Man of Steel legend aside, this work focuses on his parents and how they faced one of the most difficult decisions imaginable. First things first though. When talking about characters, readers have to be properly introduced. The clarity is appreciated.
Lara first met Jor-El when her family was hired to work on Jor-El's house. As artists, they have both the eye and the skill to make an ordinary building into a masterpiece. Little did they know how much of an impact would be made to future events.
Can you imagine, seeing your future husband trapped in an alternative reality? I have to hand it to Lara, she stayed with the situation although she has the creative gene rather than the scientific one. The pair was required to become a team in order to set Jor-El free. However, this was also mild compared to the political mess brewing from outside.
Superman devotees will recognize Commander Zod, the bureaucrat whose inexhuastible need for power is greater than ethical considerations. Talk about a compelling character. He schemes without regard for implications down the road. What happens if somebody else catches wind of the destruction he plans? Put it this way, it's not pretty. The man has no conscience or morals. All he wants is to be a ruler over everything. Forget leading by example, Zod is nothing to live up to.
Continuing with the villian lineup, Brainiac also makes an appearance. Anderson takes the character and shows a different side. A robot? Yes, although not quite what one would expect. Remember, Clark Kent and his super powers have yet to arrive on Earth. The novel is the stuff prior, which sent Superman on his journey downward into Jonathan and Martha Kent's arms.
Obviously, the Justice League is not part of this picture. The story is about one man and how he came to be. I should warn readers, it's over four hundred pages long. Not an item which can be completed in one sitting.
Perhaps even more compelling than the story itself is the front cover. Right smack in the middle is a glowing green "S". Due to scientific genius, this is a holgram! The capital letter jumps off the page and appears to be breaking up just a bit.
also published on blogcritics.
TV Review Fringe "Bound"
'http://notesfromnancy.blogspot.com
Blogarama
TV Review: Fringe - "Bound"
Written by NancyGail
Published January 22, 2009
See also:
» DVD Review: Painted Lady
» DVD Review: Redemption
» Reality TV: Second Chances
It's baaaaack! For those of you experiencing a slow winter, Fringe has returned with a vengeance. The biggest show of the fall season is continuing to take viewers on a jaw-dropping ride, and people will be clinging to the edge of their seats.
For those who caught the last episode before the break, Agent Olivia Dunham (Anna Torv) had been kidnapped at Little Hill just before Jones (Jared Harris) escaped from prison ("Safe"). Now, I know anything can happen on television, however, she is the lead female role. Killing her off before the end of the season would be pointless.
The writers definitely agreed with that idea. They got Olivia out quickly, but cast her right into another fire. There's now a new sheriff in town, Sanford Harris, who is taking revenge on Dunham despite his role in a past incident. Lance Reddick, who plays Broyles, and Anna Torv's characters have been strong from the start, but now find themselves in a different position. They have an interloper they never asked for, yet getting rid of him is out of their control. I admit, I thought he might have been Olivia's stepfather. From what I gathered, though, that's not likely.
Even more characters have been added to the show, and they should stay around for a bit. Rachel, Olivia's sister, and Rachel's daughter, Ella, arrived in town this week and are staying with her while they take new steps on the roadway of life.
Mitchell Loeb (Chance Kelly) is still in the picture, although his role as a double agent has been exposed. Now, who does he work for? The answer might be the same group as John Scott (Mark Valley). Speaking of the latter, he needs to return. I was intrigued by his efforts to lead Olivia down the path of his hidden agenda. Traitor? I'm not convinced.
My one nit is the no-show by Nina Sharp (Blair Brown). She always adds so much to the mystery with her knowledge of secrets to which Olivia is not privy.
This was certainly an interesting start to the rest of the first season. While the question of what happened to Olivia was answered, plenty of questions remain. "Where is creepy stepdad," for example. He might turn up, but that's not the biggest question mark. Who is Peter Bishop (Joshua Jackson)? Viewers know he has a dark side, but not the details of his past... yet. Which group does John Scott work for? No one can say for sure. Why would Jones and Loeb want to be on the wrong side of the law? I don't get the impression they are part of Nina's team. Keep watching...
published on blogcritics.
Blogarama
TV Review: Fringe - "Bound"
Written by NancyGail
Published January 22, 2009
See also:
» DVD Review: Painted Lady
» DVD Review: Redemption
» Reality TV: Second Chances
It's baaaaack! For those of you experiencing a slow winter, Fringe has returned with a vengeance. The biggest show of the fall season is continuing to take viewers on a jaw-dropping ride, and people will be clinging to the edge of their seats.
For those who caught the last episode before the break, Agent Olivia Dunham (Anna Torv) had been kidnapped at Little Hill just before Jones (Jared Harris) escaped from prison ("Safe"). Now, I know anything can happen on television, however, she is the lead female role. Killing her off before the end of the season would be pointless.
The writers definitely agreed with that idea. They got Olivia out quickly, but cast her right into another fire. There's now a new sheriff in town, Sanford Harris, who is taking revenge on Dunham despite his role in a past incident. Lance Reddick, who plays Broyles, and Anna Torv's characters have been strong from the start, but now find themselves in a different position. They have an interloper they never asked for, yet getting rid of him is out of their control. I admit, I thought he might have been Olivia's stepfather. From what I gathered, though, that's not likely.
Even more characters have been added to the show, and they should stay around for a bit. Rachel, Olivia's sister, and Rachel's daughter, Ella, arrived in town this week and are staying with her while they take new steps on the roadway of life.
Mitchell Loeb (Chance Kelly) is still in the picture, although his role as a double agent has been exposed. Now, who does he work for? The answer might be the same group as John Scott (Mark Valley). Speaking of the latter, he needs to return. I was intrigued by his efforts to lead Olivia down the path of his hidden agenda. Traitor? I'm not convinced.
My one nit is the no-show by Nina Sharp (Blair Brown). She always adds so much to the mystery with her knowledge of secrets to which Olivia is not privy.
This was certainly an interesting start to the rest of the first season. While the question of what happened to Olivia was answered, plenty of questions remain. "Where is creepy stepdad," for example. He might turn up, but that's not the biggest question mark. Who is Peter Bishop (Joshua Jackson)? Viewers know he has a dark side, but not the details of his past... yet. Which group does John Scott work for? No one can say for sure. Why would Jones and Loeb want to be on the wrong side of the law? I don't get the impression they are part of Nina's team. Keep watching...
published on blogcritics.
TV Review CSI:NY "Rush To Judgment"
'http://notesfromnancy.blogspot.com
Blogarama
Say what you will about city crime, but it always comes down to the person or persons responsible. It's one thing for someone to defend against a home invasion, yet quite another if death comes to a criminal for reasons less clear cut.
For Det. Don Flack (Eddie Cahill), being a cop has an advantage — those who break the law are required to deal with consequences. As the son of a law enforcement officer, he gladly followed in his father's footsteps. A badge means more to him than it simply being a job identification symbol. After a teenager dies while in his custody, the resulting investigation leaves him breathless.
This just might have been Eddie Cahill's best work in the past five seasons. He aptly portrayed a full range of emotions as the episode unfolded. Should there have been a double-check of what happened? Of course there should have. For all the department knew, they could have had a bad cop on their hands who crossed the line one too many times. However, having one's guilt assumed at the outset is hard for an innocent person to take, and I was glad to see the depth of Flack's worry explored.
How could someone who was fine when first questioned be dead not long after he got to the police station? Gary Sinise played his part to perfection, gathering evidence so doubt could be quickly laid to rest. Mac Taylor is loyal to his friends, but is willing to take down anyone if he finds them to be a bad apple. I find it hard to imagine what the scene would have been if Flack had to be arrested, but I also realize these two actors are experienced enough to handle the job.
Emmanuelle Vaugier came back to play Det. Angell again, and her acting chops shone as she defended her partner with a take no prisoners style. My only problem was when she got upset over people knowing about their relationship. Did she honestly believe no one would notice?
Mixed in with all of this was the death of a coach. You'll have to watch for yourself, but the truth was a tad lackluster. Themes from previous seasons are starting to repeat themselves. This is New York, one would think the writers could be more creative with their storylines. I will say this — using plots with a focus on the city is a smart move. It helps remind viewers of why they should be watching.
I get the impression the toned down approach of this episode is in preparation for February Sweeps. Ratings are really looked at then (and in November and May too), so expect to see some of the biggest challenges taken care of during that period.
Also published on blogcritics.
Blogarama
Say what you will about city crime, but it always comes down to the person or persons responsible. It's one thing for someone to defend against a home invasion, yet quite another if death comes to a criminal for reasons less clear cut.
For Det. Don Flack (Eddie Cahill), being a cop has an advantage — those who break the law are required to deal with consequences. As the son of a law enforcement officer, he gladly followed in his father's footsteps. A badge means more to him than it simply being a job identification symbol. After a teenager dies while in his custody, the resulting investigation leaves him breathless.
This just might have been Eddie Cahill's best work in the past five seasons. He aptly portrayed a full range of emotions as the episode unfolded. Should there have been a double-check of what happened? Of course there should have. For all the department knew, they could have had a bad cop on their hands who crossed the line one too many times. However, having one's guilt assumed at the outset is hard for an innocent person to take, and I was glad to see the depth of Flack's worry explored.
How could someone who was fine when first questioned be dead not long after he got to the police station? Gary Sinise played his part to perfection, gathering evidence so doubt could be quickly laid to rest. Mac Taylor is loyal to his friends, but is willing to take down anyone if he finds them to be a bad apple. I find it hard to imagine what the scene would have been if Flack had to be arrested, but I also realize these two actors are experienced enough to handle the job.
Emmanuelle Vaugier came back to play Det. Angell again, and her acting chops shone as she defended her partner with a take no prisoners style. My only problem was when she got upset over people knowing about their relationship. Did she honestly believe no one would notice?
Mixed in with all of this was the death of a coach. You'll have to watch for yourself, but the truth was a tad lackluster. Themes from previous seasons are starting to repeat themselves. This is New York, one would think the writers could be more creative with their storylines. I will say this — using plots with a focus on the city is a smart move. It helps remind viewers of why they should be watching.
I get the impression the toned down approach of this episode is in preparation for February Sweeps. Ratings are really looked at then (and in November and May too), so expect to see some of the biggest challenges taken care of during that period.
Also published on blogcritics.
Subscribe to:
Posts (Atom)